A Reading List for Disability Pride Month 2023


We asked the many independent literary presses and magazines that make up our membership to share with us some of the literature they recommend reading in honor of Disability Pride Month, observed annually in July.

Poetry

 

Cover of This, Sisyphus by Brandon Courtney, featuring what looks like water pouring down beneath a ray of sunlight in a white church-like space.This, Sisyphus by Brandon Courtney

YesYes Books | 2019

According to Justin Phillip Reed, “Courtney’s erotic, erosive soldier’s psalms enunciate the guilt of doing what one can with the awful gift of a human life in the aftermath of another’s destruction.”

 

 

 

Cover of Phantompains by Theresa Estacion featuring a human figure's hips and arm in a dark woven texture against a pink landscape.Phantompains by Therese Estacion

Book*hug Press | 2021

This poetry collection, which takes inspiration from Filipino horror and folk tales, “is a visceral, imaginative collection exploring disability, grief and life by interweaving stark memories with dreamlike surrealism.”

 

 

 

Cover of Flare, Corona by Jeannine Hall Gailey, featuring the title in yellow against a celestial body outlined in a flaming corona.Flare, Corona by Jeannine Hall Gailey

BOA Editions | 2023

Flare, Corona “paints a self-portrait of the layered ways that we prevail and persevere through illness and natural disaster.”

 

 

 

Cover of The Wild Language of Deer by Susan Glass featuring an oval with a close-up of a deer's face against a pale green background with gray hoofprints along the bottom.The Wild Language of Deer by Susan Glass

Slate Roof Press | 2021

According to Alison Luterman, this chapbook, “with its exquisite woodcuts and a poem in Braille translation, will subtly reorient your relationship to our world.”

 

 

 

Cover of Deaf Republic by Ilya Kaminsky, featuring an ear made of bricks juxtaposed against a background diagonally divided into white and black.Deaf Republic by Ilya Kaminsky

Graywolf Press | 2019

A finalist for the National Book Award for Poetry and the National Book Critics Circle Award, Kaminsky’s “astonishing parable in poems asks us, What is silence?”

 

 

 

Cover of Stephen Kuusisto's Only Bread, Only Light, featuring a painting of overturned candlesticks.Only Bread, Only Light by Stephen Kuusisto

Copper Canyon Press | 2000

In his first poetry collection, Kuusisto “explores blindness and curiosity, loneliness and the found instruments of continuation.”

 

 

 

 

Cover of I Feel Fine by Olivia Muenz featuring the text in white against a blue background surrounded by one moon-like gold circle and two gold circles with smaller concentric gold circles inside them.I Feel Fine by Olivia Muenz

Switchback Books | 2023

This poetry collection “is a series of refrains on loss, gendered disability, community, alienation, productivity, value, and performativity.”

 

 

 

Cover of Pathogenesis featuring the text stacked in a transparent white box in the center, surrounded by multicolored abstract shapes depicting parts of the human form.Pathogenesis by Peggy Munson

Switchback Books | 2008

According to Gerry Gomez Pearlberg, “Munson’s intriguing, kaleidoscopic poems transport the reader into a tough- and tender-hearted world of blood, illness, medical authoritarianism, and stubborn life force.”

 

 

 

Cover of Traum/A featuring a black and white portrait of a person with short dark hair and downturned eyes.Traum/A by JP Seabright

Fifth Wheel Press | 2023

Traum/A is an “abecedarian catalogue of experimental, visual and prose poetry on the causes and symptoms of trauma.”

 

 

 

Cover of We Mad Climb Shaky Ladders featuring an image of the back of a white person's head with a red braid against their neck.We Mad Climb Shaky Ladders by Phoebe Sparrow Wagner

CavanKerry Press | 2009

This collection features “poems written over the course of twenty-five years as the author struggled to live with a devastating mental illness, paranoid schizophrenia.”

 

 

 

Cover of Cyborg Detective by Jillian Weise featuring white text and a black silhouette of long hair, bangs, and glasses against a purple background.Cyborg Detective by Jillian Weise

BOA Editions | 2019

Weise’s third collection of poetry “holds a magnifying glass to the marginalization and fetishization of disabled people while claiming space and pride for the people who already use technology and cybernetic implants every day.”

 

 

 

Nonfiction

 

Cover of Head Above Water featuring a black-and-white face, horizontal and looking upward, surrounded by white and orange dots.Head Above Water: Reflections on Illness by Shahd Alshammari

Feminist Press | 2023

This hybrid memoir “revisits personal journals to slowly piece together a narrative of chronic illness—a moving account of survival, memory, loss, and hope.”

 

 

 

Cataloguing Pain by Allison Blevins

YesYes Books | 2023

In this memoir, Blevins “explores motherhood, sexuality, and queerness as it juxtaposes the author’s diagnosis of MS with her partner’s gender transition.”

 

 

 

Cover of Floppy featuring a contoured line illustration of a person on their black with a cat on their stomach, in black and white and gold against a blue background.Floppy: Tales of a Genetic Freak of Nature at the End of the World by Alyssa Graybeal

Red Hen Press | 2023

According to Rebecca Fish Ewan, in this memoir “Graybeal spins a richly imaged and often hilarious story from the fibers of her own quest for life while navigating the challenges of having a rare genetic disorder.”

 

 

 

Dark blue cover of The Truth About Things That Suck featuring yellow text and pale blue icons of a wheelchair, a broken heart, a telephone, a car crash, and a deer.The Truth about Things That Suck: and How to Make Them Suck Less by Mindy Henderson

Woodhall Press | 2022

This is “a book of wit and wisdom that encourages readers who are currently struggling to overcome an obstacle, or preparing to face one down the road.”

 

 

 

Cover of Disfigured featuring an illustrated leaft background with an ear, a house, an eye, and a hand hidden among them.Disfigured: On Fairy Tales, Disability, and Making Space by Amanda Leduc

Coach House Books | 2020

In this book, Leduc “looks at fairy tales from the Brothers Grimm to Disney, showing us how they influence our expectations and behaviour and linking the quest for disability rights to new kinds of stories that celebrate difference.”

 

 

 

Cover of This, Sisyphus by Brandon Courtney, featuring what looks like water pouring down beneath a ray of sunlight in a white church-like space.Halfway from Home by Sarah Fawn Montgomery

Split/Lip Press | 2022

In this essay collection, Montgomery “examines contemporary longing and desire, sorrow and ache, searching for how to build a home when human connection is disappearing.”

 

 

 

Cover of Pain Studies by Lisa Olstein featuring the text in white and pale yellow against a light green background, with a needle piercing the background behind the text.Pain Studies by Lisa Olstein

Bellevue Literary Press | 2020

In this extended lyric essay, Olstein “mines her lifelong experience with migraine to deliver a marvelously idiosyncratic cultural history of pain—how we experience, express, treat, and mistreat it.”

 

 

 

Cover of To the Marrow featuring a bandaged hand holding a pen with a hospital bracelet and an IV against a cloudy sky.To the Marrow by Robert Seder

CavanKerry Press | 2007

This posthumously published memoir follows “one man’s journey through bone marrow transplantation, one of the most arduous and extraordinary medical interventions that some people are compelled to choose and endure.”

 

 

 

Your Hearts, Your Scars by Adina Talve-Goodman

Bellevue Literary Press | 2023

In this essay collection, published posthumously, Talve-Goodman “tells the story of her chronic illness and her youthful search for love and meaning, never forgetting that her adult life is tied to the loss of another person—the donor of her transplanted heart.”

 

 

 

Cover of Hot, Wet & Shaking featuring the title inside a pair of hot pink lips and surrounded by pink and green oval shapes.Hot, Wet, and Shaking: How I Learned To Talk About Sex by Kaleigh Trace

Invisible Publishing | 2014

According to The Dialog, this book “fights the myths about sex and disability and starts discussions that are long overdue.”

 

 

 

Fiction

 

Cover of Panpocalypse by Carley Moore featuring an upside-down bicycle in purple against a pale yellow background.Panpocalypse by Carley Moore

Feminist Press | 2022

According to Jamia Wilson, “Moore’s sharp and provocative voice adds much-needed complexity to the public discourse about the impact of COVID-19 on queer and disabled communities.”

 

 

 

Cover of Origami Dogs by Noley Read, featuring a folded paper dog on a pink and blue background.

Origami Dogs by Noley Reid

Autumn House Press | 2023

This short fiction collection “is a celebration of the bond of devotion possible between humans and dogs, and it presents an intimate rendering of the lives we share.”

 

 

 

Literary Magazines

 

Logo of SWWIM featuring text in white against a black ink splatter.“Fall Risk” by Allison Blevins

SWWIM | 2020

This poem begins, “After the fall, I call out for my wife. I can’t cry. I can’t feel pain now.”

 

 

 

Logo of Terrain.org featuring text in black with a purple dot and a purple and green flower to the left of the text.“In Light of a White Cane” by Naomi Cohn

Terrain.org | 2020

This essay begins, “It takes 198 steps to walk from my house to the little stub of Pearl Street. Summer days like this, no one sees my white cane, folded in my bag.”

 

 

 

Logo of The Cincinnati Review featuring "The" and "Review" in black on gray and "Cincinnati" in white on a red square.“Pilgrim amid Spectres: A Craft Review of The Collected Schizophrenias” by Shannon Fandler 

The Cincinnati Review | 2023

This review begins, “In her 1905 essay ‘The Decay of the Essay,’ Virginia Woolf grumbles about writing that begins ‘with a capital I.’”

 

 

 

Logo of SWWIM featuring text in white against a black ink splatter.“Scar” by Jeannine Hall Gailey

SWWIM | 2018

This poem begins, “The voice it was in the storm / in the fire in whirlwind  / spoke to me and told me….”

 

 

 

Logo of ANMLY with the text in black inside a twisted mobius shape colored in with multicolored patches, against a pale purple background.Glitterbrain

ANMLY | 2017

According to editor Sarah Clark, “When I put out the call for work for Glitterbrain, what I wanted the most was realness, whatever that may mean. Because neurodiverse, queer, people of color are denied what is real.”

 

 

 

Logo of The Hopkins Review featuring the letters "thr" in white against a blue background.“Cripple Sex Manifesto” by torrin a. greathouse

The Hopkins Review | 2022

This poem begins, “Unbutton your tongues; / there are no metaphors here.”

 

 

 

Banner image of One Art, featuring a red and white old-timey gas pump.“Office Visit” by Ona Gritz

One Art | 2022

This poem begins, “Honeycombing, the doctor says, /and for an instant, I let myself / rest in what I love about that word….”

 

 

 

Image from Dark Matter: Women Witnessing featuring the text "Women Witnessing" in white against an image of stacked cut trees.“Dolphin Pearls” by Petra Kuppers

Dark Matter: Women Witnessing | 2017

This short story begins, “The dolphins played beneath the soaring arches of the intra-coastal bridge. They twined around one another, just a thin shell’s edge away from touch, and then lay on the surface for a breath, beak to beak, and felt the sun dry them.”

 

 

 

Logo of Off Assignment featuring black text (off is italicized) on a white background.“To the Smoker on 72nd Street” by Jasmine Ledesma

Off Assignment | 2020

This letter begins, “I met you in the heat of the afternoon. The clouds were drowning in a blue-glass sky, and New York stretched on all around.”

 

 

 

Logo of The Cincinnati Review featuring "The" and "Review" in black on gray and "Cincinnati" in white on a red square.“Flare” by Chrissy Martin

The Cincinnati Review | 2022

This essay begins, “Flare, as in flare up, as in, sorry, I’m not in the mood tonight. As in, my ache has traveled from toe tip to hip and I can’t risk movement.”

 

 

 

Logo of West Trestle Review featuring the black text in a circle around an illustration of a train.“Ambulatory Wheelchair User” by Rita Maria Martinez

West Trestle Review | 2022

This poem begins, “Thank you, Gabe, for wheeling my / rebellious body amidst travelers scurrying / like frazzled ants at LAX….”

 

 

 

Logo of Off Assignment featuring black text (off is italicized) on a white background.“To My Big-Haired Boss Who Made Me Come Out Door to Door” by Greg Marshall

Off Assignment | 2019

This letter begins, “I’ve always done voices at home: the robot sister from Small Wonder, Jane Pauley from Dateline, Karen Walker from Will & Grace.”

 

 

 

Logo of Words Without Borders featuring the text "WWB, Words Without Borders, The Home for International Literature" in black on a gray background.“Linguistic Threads” by Rahma Nur

Translated from Italian by Alta L. Price

Words Without Borders | 2017

This poem begins, “As you make headway / between the land where you were born / and the ground that took you in / a thread stretches to connect them / like an IV.”

 

 

 

Logo of The Hopkins Review featuring the letters "thr" in white against a blue background.“Everything’s Not Lost” by Ross Showalter

The Hopkins Review | 2023

This short story begins, “I only notice the two of them because they are the only people who don’t raise their hands when I ask the question I always ask at the beginning: ‘How many of you know someone who is deaf?’”

 

 

 

Banner image of One Art, featuring a red and white old-timey gas pump.“Why We Need New Year’s Day and the Passage of Seasons” by Daniel Simpson

One Art | 2022

This poem begins, “Because we are iron in a smithy world / which heats and hammers us beyond self-recognition….”

 

 

 

Logo of West Trestle Review featuring the black text in a circle around an illustration of a train.“they write you feral” by A. A. Vincent

West Trestle Review | 2021

This poem begins, “how do i tell them i have survived / deeper gardens under snow & rain….”

 

 

 

Logo of ANMLY with the text in black inside a twisted mobius shape colored in with multicolored patches, against a pale purple background.Writing Ourselves / Mad and Writing Ourselves / Mad Part 2

ANMLY | 2021

According to editor Sarah Cavar, the poetry, fiction, photography, and artwork in this two-part folio celebrates “Mad creation, craft, and methodology” and “offers a third, collaborative option, in which we can bring our whole, multiple, unrecovered and anti-recovery selves to the table to tell the stories only we know how to tell.”