A Reading List for Filipino American History Month 2024


Celebrate Filipino American History Month, observed annually during October, with literature published by our member magazines and presses. (Learn more about Filipino American History Month here.)

 

Poetry

 

Teeter by Kimberly Alidio

Nightboat Books | 2023

Comprising three long poems, this collection is “an autohistoriography of felt time that arises from subversive hearing practices and the emotional prosody of a mother tongue one does not understand but activates in another poetic language.”

 

 

 

Tender Machines by J. Mae Barizo featuring a black-and-white photograph of a lit-up city.Tender Machines by J. Mae Barizo

Tupelo Press | 2023

The poems in Tender Machines “swing between the domestic and the surreal, charting motherhood, desire and an immigrant family’s haunted inheritance.”

 

 

 

Cover of Feast by Ina Cariño, featuring a brown, pink, and green illustration of a woman looking at us over her shoulder with a flower behind her ear.Feast by Ina Cariño

Alice James Books | 2023

According to Hilary Sun, this collection “reminds us that we can break this cycle of bitterness and transform it into beautiful, imagined futures. To be eaten does not have to be othering; it can be a way of knowing and understanding.”

 

 

 

Cover of Leaving Biddle City, featuring cut pieces of a photograph arranged in stripes on a white background.Leaving Biddle City by Marianne Chan

Sarabande Books | 2024

This coming-of-age collection “details one Filipina American speaker’s experience of growing up amid a white, Midwestern suburbia mythologized as ‘Biddle City.’”

 

 

 

God’s Will for Monsters by Rachelle Cruz

Inlandia Institute | 2017

According to Juan Felipe Herrera, Cruz’s collection “contests, demolishes and remixes the bizarre, early 20th Century colonial and classic ethnographic summations of the Philippines.”

 

 

 

Caulbearer by Luisa A. Igloria

Black Lawrence Press | 2024

Igloria’s collection weaves “poems exploring the veiled intervals of transition experienced by those in the diaspora—or by anyone who has felt a severing from their origins.”

 

 

 

Near Your Mirror Home (Stay On) by Paolo Javier

Poets of Queens | 2024

Javier’s collection features both “a serial poem that revels in/reveals the slipperiness of desire and separation from place and language in the Dreaming, and a long poem that roars at white supremacy, misogyny, and horizontal hate.”

 

 

 

O.B.B. by Paolo Javier

Nightboat Books | 2021

In O.B.B., Javier “deconstructs a post-9/11 Pilipinx identity, amid the lasting fog of the Philippine American War, to compose a far-out comic book awit.”

 

 

 

Cover of Decade of the Brain featuring an image of photograph-like, grayscale ovals over a background that is blue on the top and orange on the bottom.Decade of the Brain by Janine Joseph

Alice James Books | 2023

According to Aracelis Girmay, the speakers of these poems “articulate the strangeness of living in relation to other past and simultaneous selves changed by injury, intimacy, notions of citizenship, and nation.”

 

 

 

Beyond the Galleons by Isabel Cristina Legarda

Yellow Arrow Publishing | 2024

This collection is “a meditation on Filipino experiences of colonization, ancestral connection, alienation, and the ghosts that haunt people living in geographic or psychological diasporas.”

 

 

 

Drive-By Vigils by R. Zamora Linmark

Hanging Loose Press | 2011

According to Rigoberto González, this collection “takes readers on a high-speed chase to the heart of ‘today’s madness,’ where Manila intersects with Hollywood, and where a rap artist might croon pidgin translations of Federico García Lorca at the Korean karaoke bar.”

 

 

 

Pop Vérité by R. Zamora Linmark featuring colorful artwork of people dressed in 1920s attire in a piano bar.Pop Vérité by R. Zamora Linmark

Hanging Loose Press | 2017

According to David Kirby, “James Schuyler and Frank O’Hara flit in and out of these poems, but then so do Tony Bennett, Roberto Bolaño, Donna Summer, Samuel Beckett, Amy Winehouse, and, well, everybody.”

 

 

 

SWOLE by Jerika Marchan

Futurepoem | 2018

According to Yasmin Adele Majeed, Marchan’s poems, which are drawn from her childhood experience of Hurricane Katrina, take in “the whole stretch of New Orleans on an intimate level—it’s people, it’s music, it’s idiom, and it’s bloat.”

 

 

 

American Inmate: The Album by Justin Rovillos Monson

Haymarket Books | 2024

Monson’s debut collection “subverts contemporary discourse and representations of incarceration, of hip-hop, and of Asian American culture and literature.”

 

 

 

At the Drive-in Volcano by Aimee Nezhukumatathil

Tupelo Press | 2007

According to Naomi Shihab Nye, Nezhukumatathil’s second poetry collection “examines the full circle journey of desire, loss, and ultimately, an exuberant love—traveling around a world brimming with wild and delicious offerings such as iced waterfalls, jackfruit, and pistol shrimp.”

 

 

 

All Things Lose Thousands of Times by Angela Peñaredondo

Inlandia Institute | 2017

The poems in Peñaredondo’s debut collection investigate “where fragments of the body’s memory, culture, gender and desire gather, then finally piece themselves together to form into new shapes.”

 

 

 

Cover of My Boyfriend Apocalypse by antmen pimentel mendoza, featuring an illustration of a yellow liquid being poured from a pan into a red and white takeout container.My Boyfriend Apocalypse by antmen pimentel mendoza

Nomadic Press & Black Lawrence Press | 2023

According to Sanjana Bijlani, “the speculative tenderness at the heart of antmen pimentel mendoza’s poetry embraces life, not just survival, while the future is still ours to imagine.”

 

 

 

Cover of ALL OF THEM ALL OF THEM featuring a man in a suit shadowed by another silhouetteALL OF THEM ALL OF THEM by Akira Ritos

fifth wheel press | 2024

The poems in this collection “explore family, generational trauma, traditions, and grief in their life as a queer Filipino-American.”

 

 

 

Particles of a Stranger Light by Anthony Sutton

Veliz Books | 2023

“Circling around the trauma of a single night,” Sutton’s debut collection “employs a wide array of approaches and forms to obsessively dissect issues of memory, identity, culture, and history.”

 

 

 

INVENT[ST]ORY by Eileen R. Tabios

Dos Madres Press | 2015

This collection of Tabios’s list and catalog poems “transforms the generative function often associated with this mode into profound poetic resonance.”

 

 

 

Murder Death Resurrection by Eileen R. Tabios

Dos Madres Press | 2018

This collection is the result of a five-year project using the “MDR Poetry Generator,” which “contains a database of 1,167 lines which can be combined randomly to make a large number of poems.”

 

 

 

What You Refuse to Remember by MT Vallarta

Small Harbor Publishing | 2023

According to Angela Peñaredondo, this debut collection “transgresses narratives of second-generation immigrant g[x]rlhood by intimately positioning it against cultural histories of imperialism, gender violence, and femme subjugation.”

 

 

 

Proof of Stake: An Elegy by Charles Valle featuring a black smudged pattern against a light blue background.Proof of Stake: An Elegy by Charles Valle

Fonograf Editions | 2021

According to Joyelle McSweeney, in this debut poetry collection Valle “​​carries his lost loved one close against his chest as he soars through centuries, continents, climates, colonialisms and profit motives.”

 

 

 

The Anchored Angel: Selected Writings by José Garcia Villa featuring a red photograph of a man’s side profile with an enlarged version in the background.The Anchored Angel: Selected Writings by José Garcia Villa

Kaya Press | 1999

This selection of Villa’s writings “both recovers and rediscovers the work of this fierce iconoclast for a new generation” and includes essays from several contemporary Filipino and Filipino American writers.

 

 

 

Poems of the Black Object by Ronaldo V. Wilson

Futurepoem | 2018

According to Tisa Bryant, this collection shifts “experience and reckoning from poem to essay, theory to epistle, these intuitive modes of a person in search of a particular poetics.”

 

 

 

Fiction

 

Angel de la Luna and the 5th Glorious Mystery by M. Evelina Galang featuring colorful artwork of a woman putting her finger to her lips in a hush underneath a full moon.Angel de la Luna and the 5th Glorious Mystery by M. Evelina Galang

Coffee House Press | 2013

In this novel for young adults, a teenage girl “leaves Manila for snowy Chicago, taking a tradition of protest—and some old family hurts—with her.”

 

 

 

The Descartes Highlands by Eric Gamalinda featuring an orange photograph of a clustered town under a full moon framed by branches.The Descartes Highlands by Eric Gamalinda

Akashic Books | 2014

Gamalinda’s novel “demonstrates that for lives marked by unrelieved loneliness, the only hope lies in the redemptive power of love.”

 

 

 

 

Manila Noir featuring a grayish green photograph of a child standing crouched along the railing of a balcony.Manila Noir

Akashic Books | 2013

According to Publishers Weekly, this anthology—featuring stories by Gina Apostol, R. Zamora Linmark, Sabina Murray, and more—“includes a liberal dose of the gothic and supernatural, with disappearance and loss being constants.”

 

 

 

Apology by Jon Pineda featuring green and black artwork of stamp prints forming a figure that doubles as a head shape.Apology by Jon Pineda

Milkweed Editions | 2013

This novel “explores how the decisions we make in an instant reverberate in the years to come, and paints a portrait of sacrifice within two immigrant families raising first-generation Americans.”

 

 

 

Cover of The Hour of Daydreams by Renee Macalino Rutledge, featuring a white feather falling against a starry night sky.The Hour of Daydreams by Renee Macalino Rutledge

Forest Avenue Press | 2017

This debut novel, according to Daisy Hernández, “is a stirring and haunting exploration of marriage, culture, and gender roles.”

 

 

 

Cover of A Professional Lola by E. P. Tuazon, featuring an illustration of a woman sitting in front of a mirror and applying lipstick.A Professional Lola by E. P. Tuazon

Red Hen Press | 2024

Winner of the Grace Paley Prize in Short Fiction, this collection blends “literary fiction with the surreal to present the contemporary Filipino American experience and its universal themes of love, family, and identity.”

 

 

 

Nonfiction & Hybrid Works

 

First by Lianne Cruz featuring artwork of a baby’s hand holding a woman’s finger against a blue background with photos of children together.First by Lianne Cruz

Read Furiously | 2023

First is a collection of Cruz’s webcomic Li Comics as she “continues to document her journey as an artist and all the firsts life presents her.”

 

 

 

Eye of the Fish by Luis H. Francia

Kaya Press | 2001

Through stories and through “his own memories of estrangement and acceptance in the Philippines and in the US,” Francia’s memoir “reflects on the hybridity that is simultaneously the burden and the benediction of the Philippines.”

 

 

 

Orange cover with an antlered heart above a church steeple with birds flying across.Zobel Reads Lorca: Poetry, Painting, and Perlimplín in Love by Federico García Lorca

Translated from the Spanish by Fernando Zóbel

Swan Isle Press | 2023

Zóbel Reads Lorca presents Zóbel’s previously unpublished translation of Lorca’s play Amor de Don Perlimplín con Belisa en su jardín and features contextual essays from several scholars.

 

 

 

World of Wonders: In Praise of Fireflies, Whale Sharks, and Other Astonishments by Aimee Nezhukumatathil

Milkweed Editions | 2024

Nezhukumatathil’s celebrated work of nonfiction now includes additional essays and illustrations.

 

 

 

Cover of 36 Dwellings featuring many white, blue, dark blue, and orange dots.36 Dwellings by Jan M. Padios

Burrow Press | 2024

A “literary-architectural hybrid project,” this book “sketches fault lines within a Filipinx family, linking intimate harm to the forces of colonialism and labor migration.”

 

 

 

The Body Papers by Grace Talusan featuring a photograph of a body in a dress made from ripped paper against a mint green background.The Body Papers by Grace Talusan

Restless Books | 2019

Winner of the Restless Books Prize for New Immigrant Writing, Talusan’s memoir “powerfully explores the fraught contours of her own life as a Filipino immigrant and survivor of cancer and childhood abuse.”

 

 

 

Literary Magazines

 

A Conversation with Kim Ramos

Kitchen Table Quarterly | 2024

This interview with Ramos discusses their familial history, living in and writing about liminality, the idea of absent desire, navigating linguistic boundaries, and more.

 

 

 

Logo of Full Stop: Reviews, Interviews, MarginaliaAn Interview with Christine Imperial by Sarah Sophia Yanni

Full Stop | 2023

This interview between Sarah Sophia Yanni and Christine Imperial begins, “Christine Imperial’s debut book, Mistaken for an Empire, was released in April 2023 by Mad Creek Books, an imprint of the Ohio State University Press.”

 

 

 

Logo of The Cincinnati Review featuring "The" and "Review" in black and "Cincinnati" in white on a red square.Two Stories by Matthew Torralba Andrews

The Cincinnati Review | 2024

The story “Island Hopping” begins, “The manager leads our tour of Flagstaff Senior Springs into the rec room. Keely inspects the contents of the shelves—the spines of books our mother might read, the lids of board games she and Mom could play.”

 

 

 

Logo of ANMLY with the text in black inside a twisted mobius shape colored in with multicolored patches, against a pale purple background.Three Poems by Leon Barros

ANMLY | 2022

The poem “Grimoire” begins, “GRIMOIRE / the ceramic jug / has returned to kill me / I let it / know that parenting / is unmiraculous / every generation / should be aimless…”

 

 

 

“An Immigrant’s Guide to Navigating Borders & Bodies of Water” by Aileen Cassinetto

West Trestle Review | 2023

This poem begins, “1. / ​Save me a fish scale, hard tissue / and enamel, true cartographer. / Teach me how to unchart this body / of saltwater. Let me start over.”

 

 

 

“White Fantasy Appropriates Stories of Oppression from People of Color” by Elaine Castillo

Electric Literature | 2022

This essay begins, “Another day, another shit show involving J. K. Rowling; I’m starting to think there’s a schedule.”

 

 

 

Logo of Does It Have Pockets“Search” by Nicola de Vera

Does It Have Pockets | 2024

This story begins, “typhoon glenda / typhoon glenda rainfall warning / typhoon glenda rainfall warning red / typhoon glenda blackout / typhoon glenda blackout affected areas…”

 

 

 

“If You Aren’t Explicit, They’ll Say You Never Mentioned the War” by Asa Drake

Epiphany | 2024

This poem begins, “My newsfeed is all about babies. / Helen is so tired and so relieved; / her baby born a few weeks early.”

 

 

 

Two Poems by Asa Drake

Epiphany | 2020

The poem “from Tonight, A Woman” begins, “The albularya says women from Kangkong can’t stand their own rain. / She warns a grief face will take my beauty for a week.”

 

 

 

“In My Own Skin” by Camille Espiritu

Wellspringwords | 2024

This poem begins, “A painful amount of guilt has riddled my body for years.”

 

 

 

Logo of Full Stop: Reviews, Interviews, MarginaliaReview of Elle’s Cicatrix by Ann Ho

Full Stop | 2022

This review begins, “On May 9th, 2022, an old and familiar name returned to presidential rule in the Philippines.”

 

 

 

Logo of The Cincinnati Review featuring "The" and "Review" in black and "Cincinnati" in white on a red square. “Tell me about the future” by Luisa A. Igloria

The Cincinnati Review | 2024

This poem begins, “without telling me it’s impossible— / Tell me about soft green that emerges / in between burned roots and branches, / and of the slow sorting of stones, /the choosing of what withstood the worst.”

 

 

 

“Time Management” by Oz Johnson

The Kenyon Review | 2024

This essay begins, “I first heard of management consulting as a freshman at Stanford. The resident advisor of my dorm, a junior, said it was her dream job, which struck me as very urbane and sophisticated, even though I did not know what management consultants did.”

 

 

 

Logo of Does It Have PocketsTwo Poems by Christian Hanz Lozada

Does It Have Pockets | 2024

The poem “At The End of The Long Dark Hallway” begins, “is our craft room. When we bought the house, / Nani and I fought for it. She wanted it as the guest room, / and maybe, if God or some other source of miracles wills it, / the baby’s room. I wanted it for the craft room.”

 

 

 

“Heritage Haunting” by Larisse Mondok

Another Chicago Magazine | 2021

This story begins, “I came to America on my parents’ money four years ago. I had just finished college, and my dad convinced me the opportunity might be worth exploring since I had an American passport.”

 

 

 

“To Resist Being Unseen” by Monica Macansantos

Another Chicago Magazine | 2019

This essay begins, “On a rainy evening in June 2015, I was walking from my apartment in Wellington, New Zealand, to a cocktail bar in the central business district, on the way to a party with a Meetup group I had joined online.”

 

 

 

“The Lonely Mountain” by Wilfredo Pascual

The Kenyon Review | 2024

This essay begins, “My ex-boyfriend Somchai wasn’t planning on sharing his HIV test results the night I visited him twenty-five years ago. He was in bed watching the news at the home in suburban Bangkok where he lived with his younger brothers.”

 

 

 

“The Pigeon” by Rachel Ramirez

West Trestle Review | 2023

This story begins, “Diwa walks alone down the long dirt road to school. The road is still littered with debris, the land around it still healing.”

 

 

 

“Folktale, three retellings” by Kim Ramos

Kitchen Table Quarterly | 2023

This poem begins, “I. / Remember / you are salt, and to salt / you shall return. / A generation sets its hopes in a wicker basket / and sends them down the river…”

 

 

 

“The Body Otherwise” by Reni Roxas

Wellspringwords | 2024

This essay begins, “On my second night in the hospital, I had a dream. In my dream, I was waiting for an old friend. Instead, I found myself joining someone else, a new acquaintance, on a walk.”

 

 

 

“This Filipino American Memoir Confronts Privilege, Sacrifice, and Colonialism’s Legacy” by Meredith Talusan

Electric Literature | 2021

This interview between Meredith Talusan and Albert Samaha begins, “Like the complex Philippine history the book aims to depict, there is no single sentence that can sum up Albert Samaha’s Concepcion, especially when he renders that history through the lens of his own diasporic family, dating back to his ancestors’ first encounter with Europeans.”

 

 

 

Logo of ANMLY with the text in black inside a twisted mobius shape colored in with multicolored patches, against a pale purple background.Three Poems by Aldric Ulep

ANMLY | 2023

The poem “Etymon: Idiay” begins, “/id·‘jaī/ ᴅᴇғɪɴɪᴛɪᴏɴ: There, beyond you and me, a million crickets dance a fan dance in the dark bamboo groves. Before dawn, the man wends his way through his flooded field.”