Books Launching in November 2024


Support independent literary publishers by picking a read from the list below, which features new books published in November 2024 from CLMP members.

 

Unmoored by Elizabeth BurkCover of Unmoored by Elizabeth Burk, featuring black text and a photograph of a bare tree in a brown marshland against a bright blue sky.

TRP: The University Press of SHSU | November 1, 2024

This poetry collection is “a poetic memoir of a life well-lived and well-examined for all of its eccentricities and triumphs.”

 

 

 

Cover of The Other Altar by Nicholas Gulig, featuring an illustration of multiple brown birds sitting on bare tree branches with pink dots covering their faces, and red, yellow, and green trees in the background. The Other Altar by Nicholas Gulig

The Center for Literary Publishing | November 1, 2024

The speaker of Gulig’s third collection “wanders in a world illumined at every turn by ghosts whose shape and form he hopes to language in a litany of books, one inside the other.”

 

 

 

Cover of A Knock at the Door by Lily Hoàng, featuring a pink background with a black outline illustration of a bird’s talon. A Knock at the Door by Lily Hoàng

TRP: The University Press of SHSU | November 1, 2024

This short fiction collection “peeps through a tiny, distorted keyhole, and on the other side, fairy tales wait—with patience, with malice, with magic.”

 

 

 

Sallowsfield by Cliff HudderCover of Sallowsfield by Cliff Hudder, featuring yellow and orange vertical stripes, and two duplicates of a black and white photograph of a man with a censor bar over his eyes pulling a rolling suitcase.

TRP: The University Press of SHSU | November 1, 2024

This novel “weaves diverse elements into a story both light-hearted and philosophical, exploring along the way universal human touchstones of obsession, ruined love and the inexplicable mysteries that shape our lives.”

 

 

 

Cover of The Thankless Paths to Freedom by Medbh McGuckian, featuring black text on a cream background and two slightly curved lines, one orange and one olive green.

The Thankless Paths to Freedom by Medbh McGuckian

Wake Forest University Press | November 1, 2024

The poems in this collection “are preoccupied with imprisonment, from the County Down Maze Prison to the sentencing of revolutionary nationalist Constance Markievicz, as violence mingles with a dreamlike glow.”

 

 

 

Cover of Last Night by Sven Popović, featuring a black background and white text that is blurred with pink, blue, and yellow flares of light. Last Night by Sven Popović

Translated from the Croatian by Vinko Zgaga

Deep Vellum | November 1, 2024

Popović’s short story collection “is a playfully existential meditation on youth and the search for the self.”

 

 

 

Cover of Lady Without Land by Krystal Anali Vazquez, featuring a photograph of a small plastic woman in a red dress standing in a blue glass vessel that contains something green.

Lady Without Land by Krystal Anali Vazquez

TRP: The University Press of SHSU | November 1, 2024

This debut novel “is a story told in fragments about señorita who feels lost in and lost without Los Angeles.”

 

 

 

Cover of The Mary Years by Julie Marie Wade, featuring the title multiple times in alternating colors, creating a rainbow pattern against a black background.The Mary Years by Julie Marie Wade

TRP: The University Press of SHSU | November 1, 2024

Winner of the 2023 Clay Reynolds Novella Prize, “this nonfiction novella follows our protagonist from her pre-teen years in Seattle through tenure at an academic institution in Miami.”

 

 

 

Cover of The Southern Poetry Anthology, Volume III: Contemporary Appalachia, featuring a photograph of a white wood-paneled wall with four framed photographs of people hanging on it. The Southern Poetry Anthology, Volume III: Contemporary Appalachia

TRP: The University Press of SHSU | November 1, 2024

Edited by William Wright, J. Bruce Fuller, Jesse Graves, and Paul Ruffin, this poetry anthology “serves as a testament to the resilience and beauty found in the works of Appalachian poets, painting a vivid picture of a culture that defies easy categorization.”

 

 

 

Cover of The Last Song of the World by Joseph Fasano, featuring a painting of a young man with his eyes closed wearing a red cloth and laurel wreath bending his head down, touching his face with one hand and holding a harp with the other. The Last Song of the World by Joseph Fasano

BOA Editions | November 5, 2024

The poems in this collection “serve as vignettes of fatherhood, love, and desire against the backdrop of apocalyptic events.”

 

 

 

Cover of Animal Husbandry by Taylor Garcia, featuring an AI image of various taxidermy animals hanging on a pink wall in a room with a chandelier, a blue chair, and a large window.Animal Husbandry by Taylor Garcia

Unsolicited Press | November 5, 2024

The men in Garcia’s short story collection “are in the midst of their own personal apocalypses as the real and artificial world decays around them.”

 

 

 

Cover of Fragments of a Paradise by Jean Giono, featuring an abstract painting of an arched black shape on a background with yellow, brown, red, and purple brushstrokes.

Fragments of a Paradise by Jean Giono

Translated from the French by Paul Eprile

Archipelago Books | November 5, 2024

This is a new edition of “Giono’s oft-overlooked seafaring tale” that “sweeps the reader along a narrative as poetic and undulating as the wind.”

 

 

 

Cover of Distant Story Blue by Magdalena Louise Hirt, featuring an illustration of a dark blue sea, a small boat, and the edge of an island with green vegetation against a cloudy sky.Distant Story Blue by Magdalena Louise Hirt

Sea Crow Press | November 5, 2024

This book “takes readers along this journey with poetry, non-fiction, and fiction, interwoven, stretched, and pulled like the lines of a taunt sail.”

 

 

 

Cover of Low: Notes on Art & Trash by Jaydra Johnson, featuring crooked white block text on a dark green background. Low: Notes on Art & Trash by Jaydra Johnson

Fonograf Editions | November 5, 2024

Winner of Fonograf Editions’ inaugural essay collection contest, Johnson’s memoir is an “indispensable meditation on poverty and art, and a compelling corrective to conventional memoirs about overcoming disadvantage.”

 

 

 

Cover of From a Basement in Seattle, the Poster Art of Brad Klausen by Brad Klausen, featuring a Pearl Jam poster with an illustration of the grim reaper wearing a robe that has an American flag design and holding a bloody scythe.

From a Basement in Seattle, the Poster Art of Brad Klausen by Brad Klausen

Akashic Books | November 5, 2024

According to Publishers Weekly, this book of poster art is “a must-have for any music fan, artist, or aspiring graphic designer.”

 

 

 

Cover of The Devil Orders a Latte by Katrin Talbot, featuring a blurred black and white photograph of two women wearing long black coats, one facing forward and looking towards the other, who is standing in profile.

The Devil Orders a Latte by Katrin Talbot

Fernwood Press | November 5, 2024

According to David Southward, this poetry collection “captures the ephemeral feelings of connectedness we all have but seldom manage to put into words.”

 

 

 

Eyes Moving Through the Dark by William WoolfittCover of Eyes Moving Through the Dark by William Woolfitt, featuring a black and white photograph of the underside of a tree’s canopy, with curved branches of all sizes overlapping with each other.

Orison Books | November 5, 2024

According to Alejandra Oliva, this essay collection is “a sprawling Appalachian palimpsest, writing and rewriting the lives and histories of this singular American region.”

 

 

 

Cover of Honolulu Noir, featuring a green-tinted photograph of a single palm tree towering over a mountainous, wooded area on the edge of a body of water.

Honolulu Noir

Akashic Books | November 5, 2024

This fiction anthology edited by Chris McKinney is “a riveting collection, exploring shadows and corners of Honolulu that will never be found in a tourist brochure.”

 

 

 

Cover of The Poems from On the Consolation of Philosophy by Boethius, featuring cut up fragments of cream colored text on a dark green background spliced together. The Poems from On the Consolation of Philosophy by Boethius

Translated from the Latin by Peter Glassgold

World Poetry | November 7, 2024

According to Eugene Ostashevsky, Glassgold’s “translingual renderings of the Latin poetry from the book refashion the originals and their English rephrasings into a composition of ‘lower limit speech, upper limit music,’ letting the reader overhear, in snatches, how Boethius was received over the ages.”

 

 

 

 Cover of So Much More by Darren C. Demaree, featuring a painting of a peach figure on its back mid-air above a black trampoline on a background with pink, white, and light green brushstrokes.

So Much More by Darren C. Demaree

Small Harbor Publishing | November 7, 2024

According to Dustin Pearson, the speaker in this poetry collection “is a husband, father, Ohioan, and a self-deprecating, ambivalent, and sometimes resigned American man whose spirit burns in the shadow of something revolutionary.”

 

 

 

Cover of Tidal Lock by Lindsay Hill, featuring a sepia-toned photograph of the outside of a building with chipped stone walls and a broken neon sign.

Tidal Lock by Lindsay Hill

McPherson & Company | November 8, 2024

In Hill’s novel containing 265 short titled passages, “a mercurial young woman comes to believe that the barren city she inhabits is actually the underworld.”

 

 

 

Cover of Versailles by Kathryn Davis, featuring a light green and black illustration of a mansion surrounded by a garden, with a light pink background that has icing dripping on the top. Versailles by Kathryn Davis

Graywolf Press | November 12, 2024

Davis’s historical novel about Marie Antoinette “is an enchanting meditation on girlhood, womanhood, architecture, and—above all—time and the soul’s true journey within it.”

 

 

 

Cover of Day Lasts Forever by Mario dell'Arco, featuring a painting of a black-and white potted cactus on a background made up of various shades of pink. Day Lasts Forever by Mario dell’Arco

Translated from the Romanesco by Marc Alan Di Martino

World Poetry | November 12, 2024

According to A. M. Juster, dell’Arco’s poems “bring alive daily life in Rome in a unique colloquial voice that often feels like a blend of Martial’s humor, Giuseppe Belli’s grittiness, and the surrealists of the era.”

 

 

 

Cover of Zombie Vomit Mad Libs by Duy Đoàn, featuring a sculpture made up of a statue of a person hunched over attached to a wooden chair, a wire attaching the statue’s foot to an outlet, and a long beige rug with a foot attached to it.

Zombie Vomit Mad Libs by Duy Đoàn

Alice James Books | November 12, 2024

According to Tamiko Beyer, “these poems exist on the razor-thin edge that divide the states of waking and sleep, of being high and sober, of living and not living.”

 

 

 

Cover of Not Even the Sound of a River by Hélène Dorion, featuring a collage of teal and white paintings of the ocean spliced together.

Not Even the Sound of a River by Hélène Dorion

Translated from the French by Jonathan Kaplansky

Book*hug Press | November 12, 2024

“Told through multiple perspectives, newspaper accounts, and historical documents,” this novel “is a moving tale of love’s phantom pains as shared through the relationships between three generations of mothers and daughters.”

 

 

 

Cover of The Moonstone Covenant by Jill Hammer, featuring an illustration of four figures in colorful outfits overlooking a city made up of light brown buildings on various islands, connected by long bridges over a body of water that is reflecting a pink and purple sunset.

The Moonstone Covenant by Jill Hammer

Ayin Press | November 12, 2024

This fantasy novel follows “the story of four women who set out to uncover the secret origins of an intricate, magical city—and to change its fate.”

 

 

 

Cover of Children of the Ghetto: Star of the Sea by Elias Khoury, featuring a map of Haifa with light pink and green shading.

Children of the Ghetto: Star of the Sea by Elias Khoury

Translated from the Arabic by Humphrey Davies

Archipelago Books | November 12, 2024

In the second installment of his trilogy, Khoury “weaves personal and cultural memory into a tale that humanizes the complex Palestinian experience, and traces the careful contours of the unspeakable.”

 

 

 

Cover of My Home Somewhere Else by Federica Marzi, featuring an upside-down black and white photograph of a stone building on a rocky beach against a peach background. My Home Somewhere Else by Federica Marzi

Translated from the Italian by Jim Hicks

Sandorf Passage | November 12, 2024

Marzi’s English-language debut “weaves together a multigenerational story about how hard it can be to let the wounds of the past heal.”

 

 

 

Cover of A Boy's Guide to Outer Space by Peter Selgin, featuring black text on a background with a wavy pattern, stars, and planets in various shades of blue. A Boy’s Guide to Outer Space by Peter Selgin

Regal House Publishing | November 12, 2024

According to Michael Nethercott, Selgin’s novel “presents a lost world of 1960s small-town life with all its constrictions and aspirations.”

 

 

 

Cover of Taiwan Travelogue by Yáng Shuang-zi, featuring a concentric square pattern with an orange border, a sepia toned photograph of a city street, and an illustration of a white and blue bowl sitting inside a train window. Taiwan Travelogue by Yáng Shuang-zi

Translated from the Mandarin Chinese by Lin King

Graywolf Press | November 12, 2024

A finalist for the 2024 National Book Award in Translation, this novel “unburies lost colonial histories and deftly reveals how power dynamics inflect our most intimate relationships.”

 

 

 

Cover of To Receive My Services You Must Be Dying and Alone by Kathryn Kruse, featuring a photograph of a Roman statue without arms inside a food storage container against a green background.

To Receive My Services You Must Be Dying and Alone by Kathryn Kruse

JackLeg Press | November 14, 2024

According to Juan Martinez, the stories in this collection “startle with their attention to our most elemental selves: our bodies, our work, our health, our language.”

 

 

 

Cover of Book of Exercises II by George Seferis, featuring an abstract illustration of blue-gray shapes surrounding a white rectangle that has black shapes on its border. Book of Exercises II by George Seferis

Translated from the Greek by Jennifer R. Kellogg

World Poetry | November 14, 2024

Book of Exercises II is the first English translation of Seferis’s “lesser-known political, satiric, and erotic poetry as well as previously unseen material from his diaries.”

 

 

 

Cover of The Glass Clouding by Masaoka Shiki, featuring a gray background with small black geometric shapes scattered across it.

The Glass Clouding by Masaoka Shiki

Translated from the Japanese by Abby Ryder-Huth

Ugly Duckling Presse | November 14, 2024

This poetry collection “wrestles with the limits of translation, using experimental forms, image, parallel texts, and prose to question what translation can and cannot make visible.”

 

 

 

Cover of Notes of the Phantom Woman by Iana Boukova, featuring black line art of thin branches on a green background.

Notes of the Phantom Woman by Iana Boukova

Translated from the Greek and Bulgarian by Ekaterina Petrova and John O’Kane

Ugly Duckling Presse | November 15, 2024

The poems in this collection “are connected by a rigorous inquiry into the illusions of thinking, the blind spots of utopianism, and the trouble with moral positioning.”

 

 

 

Cover of The Month of the Flies by Mirtha Dermisache and Sergio Chejfec, featuring green and black text and black squiggles on a white background.The Month of the Flies by Mirtha Dermisache and Sergio Chejfec

Translated from the Spanish by Rebekah Smith and Silvina López Medin

Ugly Duckling Presse | November 15, 2024

This chapbook is Sergio Chejfec’s response to Mirtha Dermisache’s Book N ° 8: 1970, and “is something of an ‘arbitrary sequel’ to a text which both demands to be read, yet remains silent.”

 

 

 

Cover of Heavy Metal Nursing by Scott Frey, featuring a photograph of a pink stethoscope on a white background. Heavy Metal Nursing by Scott Frey

University of Tampa Press | November 15, 2024

Frey’s debut collection “plumbs the depths of unthinkable loss in poems that are as formally agile as they are unflinching: prose poems and slant-rhymed pantoums alongside odes to nurses and therapists, a poem-as-instruction-manual for a deep suction machine.”

 

 

 

Cover of A Woman Looks Over Her Shoulder by Brynja Hjálmsdóttir, featuring a circle of overlapping red spikes surrounding a black center. A Woman Looks Over Her Shoulder by Brynja Hjálmsdóttir

Translated from the Icelandic by Rachel Britton

Circumference Books | November 15, 2024

These poems explore “what it can be like to be a woman and to slither through and away from threat to find voice and form and power, no matter how strange.”

 

 

 

Cover of Black Box Named Like to Me by Diana Garza Islas, featuring a pattern of black ink-blotted arches on a yellow background.

Black Box Named Like to Me by Diana Garza Islas

Translated from the Spanish by Cal Paule

Ugly Duckling Presse | November 15, 2024

This debut poetry collection “challenges the limits of syntax and image to hold the full scope of the imaginary in its grasp, touching on questions of motherhood, the future, memory, and the acquisition of language.”

 

 

 

Cover of ​​Mongrel Kampung by Mikael Johani, featuring orange block text and four yellow painted rectangles.

Mongrel Kampung by Mikael Johani

Ugly Duckling Presse | November 15, 2024

The poems in this collection are “translingual mini-tomes—tirades, historiographic treatises, love letters, protest songs, errant tweet threads.”

 

 

 

Cover of The Great Game by Amit Majmudar, featuring a series of black and white photographs showing a man leaping over another man.

The Great Game by Amit Majmudar

Acre Books | November 15, 2024

In this book of critical essays, Majmudar “practices literary criticism as a global art, one with the intensity of verse, the depth of philosophy, and the scope of history—and does so with the infectious curiosity of a passionate reader.”

 

 

 

Cover of Against the Regime of the Fluent by Natasha Tiniacos, featuring green text on a background with various geometric patterns in brown ink.

Against the Regime of the Fluent by Natasha Tiniacos

Translated from the Spanish by Rebeca Alderete Baca

Ugly Duckling Presse | November 15, 2024

The poems in this chapbook are “fragments that dream of becoming ruins of a present still unfolding against the systems of power, (the) body, language or all the systems.”

 

 

 

Cover of Lemonade: A Paranormal Investigation by Catalina Vargas Tovar, featuring green text on a background with various geometric patterns in brown ink.

Lemonade: A Paranormal Investigation by Catalina Vargas Tovar

Translated from the Spanish by Juliana Borrero

Ugly Duckling Presse | November 15, 2024

This poetry chapbook “dives deep into the entrails of mountains, embodies the softness of shadows, intends to think from the darkness like seeds, and hopes to learn to see before language.”

 

 

 

Cover of The 53rd State Occasional No. 3, featuring colored squares in a gradient of shades of blue, teal, brown, and red.

The 53rd State Occasional No. 3

53rd State Press | November 15, 2024

In this collection of essays edited by Lucas Baisch and Emma Horwitz, artists, thinkers, and members of the 53rd State Press community answer the questions, “What are you obsessed with? And how are you holding it?”

 

 

 

Cover of Back Where I Came From: On Culture, Identity, and Home, featuring a photograph of the underside of an airplane on a teal background with white text.

Back Where I Came From: On Culture, Identity, and Home

Book*hug Press | November 19, 2024

The personal essays in this collection, edited by Taslim Jaffer and Omar Mouallem, “weave socio-political commentary with writers’ reflections on who they are, where they belong, and what ‘home’ means to them.”

 

 

 

Cover of Love Prodigal by Traci Brimhall, featuring an illustration of an orange sun with yellow light and thin red lines radiating from it.

Love Prodigal by Traci Brimhall

Copper Canyon Press | November 19, 2024

According to Barbara Hoffert, this poetry collection “addresses life’s everyday suffering in astonishing language that will attract a wide range of readers.”

 

 

 

Cover of Fires Seen From Space by Betsy Fagin, featuring an illustration of smoke rising from the horizon in white on a salmon pink background.Fires Seen from Space by Betsy Fagin

Winter Editions | November 19, 2024

The poems in Fagin’s third collection “celebrate moments of simplicity and ease while facing catastrophic change, weaving deep relational webs to bind isolated efforts of resistance.”

 

 

 

Cover of The Everyday Life of Design by Alan Gilbert, featuring a light orange illustration of three giant rectangular cubes standing on a street like buildings.The Everyday Life of Design by Alan Gilbert

Winter Editions | November 19, 2024

The second edition of Gilbert’s “sprawling epic poem is a document of these broken times, with a glint of hope for a better tomorrow.”

 

 

 

Cover of The Moon Won't Talk by Morgan Howell, featuring a blue illustration of a mansion underneath a yellow crescent moon with a man in a suit standing on the porch, overlooking a yard with a bike, tall leaves, and fireflies. The Moon Won’t Talk by Morgan Howell

Regal House Publishing | November 19, 2024

According to Ellen Parent, this protagonist “speaks with the wisdom of youth and the wit of a poet in this coming-of-age story teeming with ghosts, naive young love, mysterious neighbors and dreamy days spent fishing beside the river.”

 

 

 

Cover of Transcendental Factory: For Mina Loy by Karla Kelsey, featuring a black and white photo of a woman in a bandanna with shoulder-length hair looking off to the side.Transcendental Factory: For Mina Loy by Karla Kelsey

Winter Editions | November 19, 2024

Kelsey’s “lyric-documentary rendezvous” with writer and visual artist Mina Loy combines experimental biography with fiction and fact and “elevates networks, constellations, and tracings over conventional chronology.”

 

 

 

Leaves of Healing: A Year in the Garden by Matt Miller Cover of Leaves of Healing: A Year in the Garden by Matt Miller, featuring an illustration of two green leaves with brown spots and holes in them.

Belle Point Press | November 19, 2024

This debut essay collection “journeys through the garden year and the church year together to uncover how life in both realms can help us rediscover our bodies and our sense of time, thereby helping us reach toward the sense of wholeness we all seek.”

 

 

 

Cover of Sundown in San Ojuela by M. M. Olivas, featuring an illustration of two green, furry arms with red claws and a green cactus with an orange flower on it. Sundown in San Ojuela by M. M. Olivas

Lanternfish Press | November 19, 2024

According to Nalo Hopkinson, this horror novel is “a wild ride of brujas and old Aztec gods, chupacabras and haunted houses that gets stranger, darker, and more dire with each turn of the page.”

 

 

 

Coolest American Stories 2025

Coolest Stories Press | November 21, 2024

According to Bobbie Ann Mason, this anthology of short stories edited by Mark Wish and Elizabeth Coffey—featuring Linda Bernal, Demond J Blake, Philip Cesario, and more—is “tender, moving, electrifying, comical, and quirky.”

 

 

 

Cover of Fucked and Jolly: Ten Years of the Exponential Festival, featuring an illustration of a towering figure with a white circle covering its face, wearing white robes and holding tree branches over a crowd of purple figures with large robes and rabbit heads.

Fucked and Jolly: Ten Years of the Exponential Festival

53rd State Press | November 26, 2024

This anthology edited by Nic Adams “is a reflective compendium of artist-to-artist interviews commemorating a boffo decade of The Exponential Festival.”

 

 

 

Cover of Wayfarers by Jane Medved, featuring a photograph of a woman from the neck down with red hair wearing a green dress holding a large brown suitcase.Wayfarers by Jane Medved

Grid Books | November 26, 2024

Medved’s poetry collection is part memoir, part spiritual exploration and “tells of the struggle to process loss without any physical anchor.”

 

 

 

Cover of Featherless by A. G. Mojtabai, featuring a photograph of a white feather caught in the branches of a bush with closed buds against an out-of-focus brown background. Featherless by A. G. Mojtabai

Slant Books | November 26, 2024

Mojtabai’s novel “offers us a varied cast of characters at Shady Rest, including: Eli, who fancies himself a ladies man; Elora, anxious about her wayward nephew; the aloof but lonely scholar Wiktor; and Maddie, a bit eccentric, true, but more wise and compassionate than most.”

 

 

 

Cover of If I Gather Here and Shout by Funto Omojola, featuring a faded blue hand-sketched map of a town on a red background. If I Gather Here and Shout by Funto Omojola

Nightboat Books | November 26, 2024

Omojola’s poetry collection “illuminate the tensions between legibility and meaning-making that emerge when an ill Black body is processed through a Western medical context.”

 

 

 

Cover of The Third Temple by Yishai Sarid, featuring an illustration of a white tower at the top of a castle splattered with bright red blood against a cerulean background.The Third Temple by Yishai Sarid

Translated from the Hebrew by Yardenne Greenspan

Restless Books | November 26, 2024

According to Reza Aslan, this science fiction novel is “an unsettling—one could say prophetic—reflection on faith, zeal, and the consequences of ideological extremism.”