Poetry of 2024


We’re excited to share this year-end roundup of poetry anthologies, chapbooks, and full-length collections published in 2024 by independent literary publishers! Read our year-end roundups of fictionnonfictionchildren’s books, and art and drama as well.

 

Poetry Anthologies

 

30 Poems in 30 Days: Poetry Prompts Inspired by Trio House Press Poets

Trio House Press | January 5, 2024

Edited by Kris Bigalk, this book collects work by Trio House Press poets alongside prompts “inspired by various literary devices these poets uniquely employ.”

 

 

 

Raised by Wolves: Fifty Poets on Fifty Poems

Graywolf Press | January 23, 2024

In this “choral arrangement of voices and lineages across decades, languages, styles, and divergences,” fifty Graywolf poets have selected fifty poems by Graywolf poets and offered prose reflections on their selections.

 

 

 

The Lantern and the Night Moths: Five Modern and Contemporary Chinese Poets in Translation by Yilin Wang

Translated from the Chinese by Yilin Wang

Invisible Publishing | April 2, 2024

In this collection Wang’s translations are featured alongside the original Chinese texts by Qiu Jin, Fei Ming, Dai Wangshu, Zhang Qiaohui, and Xiao Xi, and accompanied by Wang’s personal essays “reflecting on the art, craft, and labour of poetry translation.”

 

 

 

You Are Here: Poetry in the Natural World

Milkweed Editions | April 2, 2024

Published in association with the Library of Congress and edited by US Poet Laureate Ada Limón, this is “a singular collection of poems reflecting on our relationship to the natural world by 50 of our most celebrated contemporary writers.”

 

 

 

Best Literary Translations 2024

Deep Vellum | April 9, 2024

Edited by Jane Hirshfield, this new annual anthology “celebrates world literatures in English translation and honors the translators who create and literary journals that publish this work.”

 

 

 

The Silk Dragon II: Translations of Chinese Poetry by Arthur Sze

Translated from the Chinese by Arthur Sze

Copper Canyon Press | April 16, 2024

In The Silk Dragon II, Sze “presents a sophisticated vision of the vitality, diversity, and power of the Chinese poetic tradition.”

 

 

 

Write Until You Cry: A Jimmy Santiago Baca Workshop Anthology

FlowerSong Press | June 11, 2024

This anthology features poems created at the 2023 Jimmy Santiago Baca Writer’s Retreat, where “we were invited to ‘loosen up the subconscious enough to allow the ego to step aside for the writer/poet to write.’ And loosen up we did,” writes editor Veronica C. Evans.

 

 

 

Cover of Giant Robot Poems, featuring in image of a giant robot walking across a landscape.Giant Robot Poems: On Mecha-Human Science, Culture & War

Middle West Press | July 2, 2024

Edited by Randy Brown, this anthology “collects 92 poems involving concepts, narratives, and cautionary tales of ‘human-electro-mechanical-cyber interaction, connection, and competition.'”

 

 

 

Cover of We the Gathered Heat featuring a stylized illustration of a blac-haired woman with snake-like lines framing her head and blue lines pouring from her eyes.We the Gathered Heat: Asian American and Pacific Islander Poetry, Performance, and Spoken Word

Haymarket Books | August 6, 2024

This anthology features “some of the brightest voices in contemporary American poetry who challenge, expand, and illuminate the meaning of the label ‘Asian American and Pacific Islander’ in today’s world.”

 

 

 

Shakespearewalis: Verses on the Bard by Shashikala Assella, Shweta Garg, Sureshika Piyasena, and Ipsita Sengupta

FlowerSong Press | September 16, 2024

According to GJV Prasad, this is a “collection for our times–from four women poets who have taken on Shakespeare, and their love, during the pandemic.”

 

 

 

Blue Flare: Three Haitian Poets

Translated from the Haitian Kreyòl and French by Danielle Legros Georges

Zephyr Press | September 17, 2024

In this trilingual anthology, poets Marie-Célie Agnant, Maggy de Coster, and Évelyne Trouillot “illuminate the complexity of life in Haiti and its diaspora in the 21st century, particularly for women.”

 

 

 

Cigarettes Until Tomorrow

Translated from the Romanian by Sean Cotter, Iris Nuțu, Gene Tanta, Diana Manole, Monica Cure, Adam J. Sorkin, Andreea Iulia Scridon, and Gabi Reigh

Two Lines Press | September 24, 2024

Featuring eight Romanian poets, including Moni Stănilă, Elena Vlădăreanu, and Constantin Acosmei, this anthology is “a stunning portrait of all our lives in the 21st century—the cycles of outrage, boredom, and ecstasy—as we get to see ourselves from an entirely new viewpoint.”

 

 

 

Cover of The Ogre’s Grimoire: Three Years of Red Ogre Review, featuring black text on a cream background, framed by black and red paint splatters.The Ogre’s Grimoire: Three Years of Red Ogre Review

Red Ogre Review | October 1, 2024

This anthology collects Red Ogre Review’s first three years of poetry spanning magazine issues from October 2021 through September 2024.

 

 

 

Cover of The Southern Poetry Anthology, Volume III: Contemporary Appalachia, featuring a photograph of a white wood-paneled wall with four framed photographs of people hanging on it. The Southern Poetry Anthology, Volume III: Contemporary Appalachia

TRP: The University Press of SHSU | November 1, 2024

Edited by William Wright, J. Bruce Fuller, Jesse Graves, and Paul Ruffin, this poetry anthology “serves as a testament to the resilience and beauty found in the works of Appalachian poets, painting a vivid picture of a culture that defies easy categorization.”

 

 

 

We Are All God’s Poems

Unsolicited Press | December 20, 2024

Edited by Cinnamon Kills First, Keya Mitra Lloyd, José Hernandez, Patricia Valdés, Charles Finn, and Shann Ray, this anthology consists of “poems from poets—nationally and internationally, emerging and award-winning—that stands against the current age of ego enragement, fracture, and disillusionment.”

 

 

 

 

Poetry Chapbooks

 

Cover of The Bones That Map Us featuring pink and blue plates on a gray table.The Bones That Map Us by Maggie Rue Hess

Belle Point Press | February 6, 2024

This poetry chapbook “embodies an intimate yet understated world of grief.”

 

 

 

 

Cover of Home Movies with a gradient of red to yellow bars.Home Movies by Michael Wheaton

Fonograf Editions | February 6, 2024

This debut chapbook “is an essay about the day-to-day realities and unrealities of its author’s hypermediated consumer life as a teacher and parent in Orlando, Florida.”

 

 

 

Comment Card by Jim Daniels

Carnegie Mellon University Press | February 13, 2024

This chapbook “offers up a world of juxtapositions, searching for some equilibrium between the sublime and the mundane.”

 

 

 

An Accounting of Days by Charles Seluzicki

Carnegie Mellon University Press | February 13, 2024

An Accounting of Days “gathers poems drawn from moments in personal history” and moves “along a timeline starting with early memory and developing along the stepping stones of experience and aging.”

 

 

 

Cover of She Who Sees the World featuring a photograph of a bird skull.She Who Sees The World by Christine Morro

Middle Creek Publishing | February 20, 2024

In this chapbook, Morro “weaves words of landscape, flora & fauna to encapsulate the experience, the eternal wisdom that a place of such raw beauty can confer on the human psyche and spirit.”

 

 

 

Country Songs for Alice by Emma Binder

Tupelo Press | March 1, 2024

In this poetry chapbook, “a nonbinary, queer narrator passes through the crucible of love, romance, and heartbreak against the backdrop of rural America.”

 

 

 

Things Will Be Better In Bountiful by Robin Michel

The Comstock Review | April 1, 2024

According to Mary Buchinger, in this poetry chapbook Michel “probes a troubled family story of dereliction and disorder with extraordinary grace, lyricism, and love.”

 

 

 

Love Poems on Bar Napkins by Donald Illich

Red Ogre Review | April 1, 2024

Illich’s chapbook is “a collection of modern sonnets about the indie music scene.”

 

 

 

 

Scaffold & Mirage by Heikki Huotari

Red Ogre Review | April 1, 2024

Huotari’s chapbook is “a collection of imagistic and philosophical prose poems.”

 

 

 

 

The Goose Liver Anthology by Ken Anderson

Red Ogre Review  | April 1, 2024

Anderson’s chapbook is “a reimagining of Mother Goose rhymes in the style of the Spoon River Anthology.”

 

 

 

The Hands by Jakob Konger

The Fabulist | April 4, 2024

In this chapbook, “Shannon finds herself inexorably drawn into a strange, disorientingly absurd underworld of power, coercion, and submission.”

 

 

 

 

melancholy arcadia by john compton

Small Harbor Publishing | April 11, 2024

According to Jessica Q. Stark, this chapbook is “a holding room for the micro-moments that characterize the deep shit of living.”

 

 

 

DESOLATION by frankie baby

Long Day Press | April 16, 2024

This book is “a look into the soul of someone who has never felt at home in their body.”

 

 

 

 

The Mother Who Couldn’t Describe a Thing if She Could by Shareen K. Murayama

Small Harbor Publishing | April 18, 2024

This chapbook is “obsessed with lineages: what mothers bequeath and what daughters are bequeathed.”

 

 

 

Cover of Felo de se by Oliver Dybing, featuring an illustration of a bird-like figure with multiple heads and tails.Felo de se by Oliver Dybing

Ugly Duckling Presse | May 1, 2024

This chapbook “seeks to explore the emotional state of melancholic or profoundly nostalgic longing for a beloved yet absent something or someone.”

 

 

 

Cover of Punt by Anada Werner, featuring an illustration of a figure in robes wearing a lid for a hat and dropping items down a well.PUNT by Anada Werner

Ugly Duckling Presse | May 1, 2024

This debut chapbook consists of “pieces of a parallel day full of promise, disassembled for the ecstasy of reinvention.”

 

 

 

Cover of Oh Memory, You Unlocked Cabinet of Amazements! by Judy Kronenfeld, featuring an illustration of an apartment building with some windows lit.Oh Memory, You Unlocked Cabinet of Amazements! by Judy Kronenfeld

Bamboo Dart Press | June 20, 2024

This poetry chapbook is a paean to the author’s mid-twentieth century Bronx childhood as the sole offspring of warmly loving—if sometimes provincial, overprotective, or embarrassing—immigrant parents.”

 

 

 

Cover of Plumstead Pram Pushers, featuring the text on a plaque on a paved ground.Plumstead Pram Pushers by Katie Beswick 

Red Ogre Review | July 1, 2024

This poetry chapbook, set in Southeast London, is “a love poem to desire, pain, and imperfection.”

 

 

 

Cover of What the Angel Saw, What the Saint Refused, featuring a painting of two boys carrying a blindfolded angel between them on two posts.What the Angel Saw, What the Saint Refused by George Franklin

Sheila-Na-Gig Editions | July 8, 2024

In this narrative poetry chapbook, “the angel doesn’t know the purpose of his presence among humans, but grief draws him to itself repeatedly.”

 

 

 

Cover of Blood Quantum & Other Hate Crimes by Marsheila Rockwell, featuring white text on a red painted background with a handprint and a symbol with two loops.Blood Quantum & Other Hate Crimes by Marsheila Rockwell

Fallen Tree Press | July 15, 2024

According to Chris La Tray, in this chapbook about family, culture, the disappearance of indigenous women and children, and more, Rockwell “has delivered nothing less than a howl of defiance against erasure.”

 

 

 

Cover of The Fault, featuring overlapping blue shapes reminiscent of a landscape.The Fault by Marcela Sulak

Black Lawrence Press | July 19, 2024

According to Sabrina Orah Mark, The Fault “sings to a universe in verse that mournfully and beautifully accounts for its fault lines, its rift, its broken notes.”

 

 

 

Green Acre by Cody Shrum

Choeofpleirn Press | August 1, 2024

The poems in Shrum’s debut chapbook “wrestle with childhood and home, spotlighting firsts and lasts and struggles and joys and all the in-betweens, in ways that feel like a perfect road trip partner for a drive through your life, be it literal or metaphor.”

 

 

 

The Bee Telephone by Jane Wiseman

Choeofpleirn Press | August 1, 2024

According to Amy Beeder, this debut—winner of the 2024 Jonathan Holden Poetry Chapbook Contest—”brims with wit and lyrical invention” and “poems musical and skillfully layered.”

 

 

 

Sky by George Genovese

Poetose | August 1, 2024

This poetry chapbook is “the account of a bygone age in which an array of long-forgotten zealots and seekers propound contending visions of the firmament characterized in terms of gemstones peculiar to their schools.”

 

 

 

Cover of Gastromythology featuring a collage of women and food.Gastromythology by Jessica Manack

Sheila-Na-Gig Editions | August 12, 2024

This poetry chapbook is “a meditation on how the ways we nourish—or fail to nourish—one another can form an origin story.”

 

 

 

Cover of The First Day by Beth Gordon featuring a saturated photograph of a blue payphone against a brick and metal wall.The First Day by Beth Gordon

Belle Point Press | October 22, 2024

This poetry chapbook “pieces together one-way conversations that enter a complex world of relationships spanning several decades yet remaining tethered to revelations in ordinary places.”

 

 

 

Cover of Opheliac by Emma Sloan featuring orange text on a black background with a white and gray illustration of flowers on a branch. Opheliac by Emma Sloan

Black Lawrence Press | October 29, 2024

This debut chapbook “intertwines modern mythology and one of literature’s most enduring figures, Shakespeare’s Ophelia–using both as a vessel to explore betrayal and grief.”

 

 

 

Cover of The Month of the Flies by Mirtha Dermisache and Sergio Chejfec, featuring green and black text and black squiggles on a white background.The Month of the Flies by Mirtha Dermisache and Sergio Chejfec

Translated from the Spanish by Rebekah Smith and Silvina López Medin

Ugly Duckling Presse | November 15, 2024

This chapbook is Sergio Chejfec’s response to Mirtha Dermisache’s Book N ° 8: 1970, and “is something of an ‘arbitrary sequel’ to a text which both demands to be read, yet remains silent.”

 

 

 

Singer in the Gray of Jean-Michel by Lynn Shorter

Slate Roof Press | November 15, 2024

According to Zoë Skoulding, Shorter’s collection finds its place “in the ear and throat to echo back through communities forged in Black struggle, art and counter narratives, and forwards into all the sonic possibilities of a world imagined otherwise.”

 

 

 

Cover of Against the Regime of the Fluent by Natasha Tiniacos, featuring green text on a background with various geometric patterns in brown ink.

Against the Regime of the Fluent by Natasha Tiniacos

Translated from the Spanish by Rebeca Alderete Baca

Ugly Duckling Presse | November 15, 2024

The poems in this chapbook are “fragments that dream of becoming ruins of a present still unfolding against the systems of power, (the) body, language or all the systems.”

 

 

 

Cover of Lemonade: A Paranormal Investigation by Catalina Vargas Tovar, featuring green text on a background with various geometric patterns in brown ink.

Lemonade: A Paranormal Investigation by Catalina Vargas Tovar

Translated from the Spanish by Juliana Borrero

Ugly Duckling Presse | November 15, 2024

This poetry chapbook “dives deep into the entrails of mountains, embodies the softness of shadows, intends to think from the darkness like seeds, and hopes to learn to see before language.”

 

 

 

A Flag of No Nation by Tom Haviv

Ayin Press | November 26, 2024

Haviv’s poetry chapbook “traces the stories of Turkish Jews in the twentieth century, navigating the tides of antisemitism, Turkish nationalism, Zionism, and the aftermath of the Ottoman Empire.”

 

 

 

Rimonim: Ritual Poetry of Jewish Liberation by Aurora Levins Morales

Ayin Press | November 26, 2024

Writing in collaboration with various communities “looking to honor, unravel, and rebuild Jewish liturgies,” Levins Morales “brings us a prayer book for the street, for reconstituting the future through our gestures in the present.”

 

 

 

KUMI: New-Generation African Poets

African Poetry Book Fund/Akashic Books | December 3, 2024

Edited by Kwame Dawes and Chris Abani, this limited-edition box set of chapbooks is the newest publication in the New-Generation African Poets series and features poetry by Nurain Oládèjì, Sarpong Osei Asamoah, Claudia Owusu, and more.

 

 

 

 

Poetry Collections

 

Sleeplessness by Paul Hetherington

Pierian Springs Press | January 1, 2024

According to Kristin Sanders, in this poetry collection “two loves traverse a landscape—at once tangible and metaphoric—of insomnia, intimacy, desire, and language.”

 

 

 

What My Hound Dog Is Scenting Through the Sloughgrass Is a Way of Scenting Me by George Kalamaras

Wolfson Press | January 2, 2024

Kalamaras’s new poetry collection “is an intimate appreciation of hound dogs of all breeds and a Whitmanesque celebration of American life.”

 

 

 

The Unrooted Bloom by Amber Allen-Peirson

Black Lawrence Press | January 5, 2024

Cat Brooks writes of Allen-Peirson’s poetry, “Vulnerability, rage, sorrow jumps off the page as her pen pours out hope, bruising, fear and prayers for the men and children in our lives.”

 

 

 

Besaydoo by Yalie Saweda Kamara

Milkweed Editions | January 9, 2024

According to Ross Gay, Besaydoo is “a prayer, a prayer for all of us, which Yalie Saweda Kamara reminds us a book sometimes can be.”

 

 

 

How to Be a Good Savage and Other Poems by Mikeas Sánchez

Translated from the Zoque and Spanish by Wendy Call and Shook

Milkweed Editions | January 9, 2024

Sánchez’s poems “fuse cosmology, lineage, feminism, and environmental activism into a singular body of work that stands for the self and the collective in the same instant.”

 

 

 

Maestra by Angelina Sáenz

FlowerSong Press | January 10, 2024

Sáenz’s work “beautifully explores the complexities of classrooms, embracing hope, despair, resilience, and joy.”

 

 

 

The Bones Beneath by Sheila Smith McKoy

Black Lawrence Press | January 12, 2024

The Bones Beneath “captures what it means to be American, Southern, diasporan, what it means to belong and not to belong, and finding many ways home.”

 

 

 

Bear Lexicon by Eric Fisher Stone

Clare Songbirds Publishing House | January 19, 2024

Bear Lexicon is Stone’s third collection of poetry.

 

 

 

 

Snowfire and Home by Alexander Etheridge

Belle Point Press | January 23, 2024

In these poems Etheridge “calls readers’ attention to what remains amidst a landscape fated for desolation even as it moves toward seasons of renewal.”

 

 

 

Child Ballad by David Wheatley

Wake Forest University Press | January 25, 2024

In his sixth collection, Wheatley is “alert to questions of memory and loss while communicating the ache of the here and now, as seen through the eyes of his two young children.”

 

 

 

Moon Grammar by Matthew Porto

Slant Books | January 30, 2024

The poems in Porto’s debut collection “range from encounters with ancient biblical and mythological tropes to fresh translations of elegiac Anglo-Saxon verse to sojourns from Texas to Taiwan and Vermont to Venice.”

 

 

 

Blue and green cover of If All the World and Love Were Young by Stephen SextonIf All the World and Love Were Young by Stephen Sexton

Wake Forest University Press | February 1, 2024

In this debut poetry collection, “the video games of his childhood are once again a way to slip through the looking glass; to be in two places at once; to be two people at once.”

 

 

 

Tarot card–like cover of Cheryl's Destinies by Stephen SextonCheryl’s Destinies by Stephen Sexton

Wake Forest University Press | February 1, 2024

This poetry collection is a “thrillingly strange exploration of the comfort of the fantastical when the real is hard to bear.”

 

 

 

Cover of BRID featuring a childlike drawing of a bird against a blue sky.Brid by Lauren Shapiro

Veliz Books | February 1, 2024

This poetry collection “explores motherhood, the dissolution of a marriage, and grief through the lens of a shrinking pandemic space.”

 

 

 

Cover of Glitter Road featuring rainbow swirls in muted tones.Glitter Road by January Gill O’Neil

CavanKerry Press | February 6, 2024

These poems “reclaim the vulnerable, intimate parts of a life in transition and celebrate womanhood through awakenings, landscapes, meanders, and possibilities.”

 

 

 

Cover of Songs for All Souls featuring confetti-like red and blue shapes.Songs for All Souls by Norbert Krapf

Fernwood Press | February 6, 2024

Krapf’s poems “become a source of solace, a conduit for unburdening sorrow, hurt, and even anger, fostering a profound sense of peace and joy through the act of prayer.”

 

 

 

 

Sweet Malida: Memories of a Bene Israel Woman by Zilka Joseph

Mayapple Press | February 6, 2024

In these poems Joseph “launches on an imaginative journey, delving into the history, especially the food and culinary customs of this small community of Indian Jews.”

 

 

 

Cover of A Domestic Lookbook featuring a collage dress.A Domestic Lookbook by JoAnne McFarland

Grid Books | February 6, 2024

In this multimedia collection, McFarland “writes in conversation with the text of Malinda Russell’s A Domestic Cook Book, the first known cookbook published by a Black woman in the United States.”

 

 

 

O Body by Dan “Sully” Sullivan

Haymarket Books | February 6, 2024

O Body is a collection “of moving and tender poems that delves into questions of masculinity, fatherhood, home, and learning to live in and love one’s own body.”

 

 

 

Cover of Fling Diction featuring white cut-out kissing figures on a red field.Fling Diction by Frances Cannon

Green Writers Press | February 7, 2024

Fling Diction is “a book about the vulnerability of desire; these poems explore different styles of relationships, including queer love, polyamory, familial drama, dog and human companionship, and longing in isolation.”

 

 

 

Accounting for the Dark by Peter Cooley

Carnegie Mellon University Press | February 13, 2024

In this collection, “the redemptive power of representation is everywhere present as this poet of faith memorializes imagined and lived experiences.”

 

 

 

Cover of Song of My Softening featuring a topless Black woman in a gold skirt pictured from behind.Song of My Softening by Omotara James

Alice James Books | February 13, 2024

Song of My Softening “studies the ever-changing relationship with oneself, while also investigating the relationship that the world and nation has with Black queerness.”

 

 

 

Her Breath on the Window by Karenmaria Subach

Carnegie Mellon University Press | February 13, 2024

Her Breath on the Window “reflects upon longing in its range of forms, moving in rich lyrical detail through history and the world of fantasy/mythos.”

 

 

 

Cover of Keith Althaus New and Selected Poems featuring a painting of a house against a gray sky.Keith Althaus: New & Selected Poems by Keith Althaus

Grid Books | February 20, 2024

According to John Skoyles, Althaus’s “moral center, perfect ear and ability to summon the infinite from the everyday, are in full display here in poems that show the range and depth of his career.”

 

 

 

Cover of Traces featuring a grayscale photograph of a desert.Traces: Sand and Snow in Symbiosis

Translated from the French and Arabic by Max de Montaigne and Mohamed Abdellahi Ould BABAH E. Horma Abdeljelil

Middle Creek Publishing | February 20, 2024

Edited by Jeffrey A. Lockwood and Mohamed Abdellahi Ould BABAH E. Horma Abdeljelil, this collection features ekphrastic poetry by various Anglophone and Arabaphone poets “to capture the ephemeral yet enduring essence of our passage.”

 

 

 

Cover of Survived By featuring a blue shell.Survived By: An Atlas of Disappearance by Stephanie Niu

Host Publications | February 24, 2024

These poems “collect fragments of memory to shape an archive of things lost—from the fleeting raptures of childhood to the species nearing and beyond extinction.”

 

 

 

Cover of murmur featuring an anatomical heart made of the repeated title.Murmur by Cameron Barnett

Autumn House Press | February 27, 2024

In his second collection, Barnett “traces a Black man’s lineage through time and space in contemporary America, navigating personal experiences, political hypocrisies, pop culture, social history, astronomy, and language.”

 

 

 

Extremely Expensive Mystical Experiences for Astronauts by Dara Barrois/Dixon

Conduit Books & Ephemera | March 1, 2024

The poems in this collection “honor and pay homage to poetry itself for being available to us when we need it to do what only it can do in the way it does.”

 

 

 

Stranger by Emily Hunt

The Song Cave | March 1, 2024

In her second poetry collection, Hunt “intimately chronicles the effects of love, labor, and grief on the life and sensibility of an artist.”

 

 

 

Learning to Hold by Jed Myers

Wandering Aengus Press | March 1, 2024

According to Martha Silano, in this poetry collection “we are invited to consider the trauma of war, genocide, and The Holocaust, how ‘What stories aren’t told are lived’ and ‘Memories course the umbilicus.'”

 

 

 

Shake the Atmosphere to Reclaim an Empty Moment by Caroline Reddy

Pierian Springs Press | March 1, 2024

In this debut poetry collection, Reddy “gives us poems about healing and transformation after trauma.”

 

 

 

The Scarecrow of My Former Self by Sarah Stockton

Moonpath Press | March 4, 2024

According to Jeannine Hall Gailey, Stockton “presents a portrait of a life not defined by illness but circumscribed by it; a hybrid life of hospital visits and encounters with crystal healers, coyotes, iguanas.”

 

 

 

Bad Mexican, Bad American by Jose Hernandez Diaz

Acre Books | March 5, 2024

In Bad Mexican, Bad American, “the minimalist, working-class aesthetic of a ‘disadvantaged Brown kid’ takes wing in prose poems that recall and celebrate that form’s ties to Surrealism.”

 

 

 

[…] by Fady Joudah

Milkweed Editions | March 5, 2024

In these poems, Joudah “offers multiple ways of seeing the world through a Palestinian lens—a world filled with ordinary desires, no matter how grand or tragic the details may be—and asks their reader to be changed by them.”

 

 

 

Modern Poetry by Diane Seuss

Graywolf Press | March 5, 2024

Seuss’s latest poetry collection “investigates our time’s deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean?”

 

 

 

Nest of Matches by Amie Whittemore

Autumn House Press | March 5, 2024

The poems in this collection “bask in the beauty of nature, queerness, and love while exploring how dichotomies form identity.”

 

 

 

Tangled in Vow & Beseech by Jill McCabe Johnson

Moonpath Press| March 8, 2024

According to Craig Santos Perez, in these poems “McCabe Johnson writes intimately about family, nature, and animals, while also protesting the violences of religion, patriarchy, and racism.”

 

 

 

Circle Back by Adam Clay

Milkweed Editions | March 12, 2024

This collection is “an aching meditation on the cyclical nature of grief and memory’s limited capacity to preserve everything time takes from us.”

 

 

 

Florida Man: Poems, Revisited by Tyler Gillespie

Burrow Press | March 12, 2024

In the second edition of his poetry collection, Gillespie “strips away the accepted myths of his home state and its inhabitants in poems centered on Florida’s history and culture.”

 

 

 

The Unquiet Country by Patrick Milian

Entre Ríos Books | March 12, 2024

Milian’s collection blends “poems and essays on queerness, illness, and the musical life of the Boulanger sisters with music by Emerson Eads.”

 

 

 

American Inmate: The Album by Justin Rovillos Monson

Haymarket Books | March 12, 2024

Monson’s debut collection “subverts contemporary discourse and representations of incarceration, of hip-hop, and of Asian American culture and literature.”

 

 

 

A Ten Peso Burial for Which Truth I Sign by Gabriel Palacios

Fonograf Editions | March 12, 2024

In this debut poetry collection, Palacios “slipstreams through a hauntological, historicized Southwest, to make sense out of the life inherited.”

 

 

 

 

Medium by Johanna Skibsrud

Book*hug Press | March 12, 2024

This poetry collection “interprets the voices of women vilified over time, silenced by famous husbands, forced into sex work, or wrongly accused.”

 

 

 

Letters from Conflict by Lisa Stice

Middle West Press | March 12, 2024

In this collection, “a seasoned North Carolina poet and spouse of a U.S. Marine shares intimate insights and observations on creating history, family, community, and art.”

 

 

 

A Whale Is a Country by Isabel Zapata

Translated from the Spanish by Robin Myers

Fonograf Editions | March 12, 2024

Zapata’s debut English-language poetry collection “explores humanity’s relationship to the natural world through a multitude of poignant angles.”

 

 

 

Adam in the Garden by AE Hines

Charlotte Center for Literary Arts | March 14, 2024

The poems in this collection “are rich in both eros and pathos as the poet explores queer love and joy that is hard won.”

 

 

 

The Animal Is Chemical by Hadara Bar-Nadav

Four Way Books | March 15, 2024

In these poems, Bar-Nadav “draws on her own experience as a medical editor and her family’s history of Holocaust survival to write into the hybrid legacy of Western medicine: part clinical empiricism, part human fallibility and moral bankruptcy.”

 

 

 

Is There Room for Another Horse on Your Horse Ranch? by Cyrus Cassells

Four Way Books | March 15, 2024

This poetry collection “is the apotheosis of Cassells’s work to elevate the mundane and the bodily to the exalted, his vigorous lyrics a routine ecstasy.”

 

 

 

The Sorrow Apartments by Andrea Cohen

Four Way Books | March 15, 2024

Cohen’s eighth collection “is home to spare and uncanny lyricism—as well as leaping narratives of mystery and loss and wonder.”

 

 

 

Nowhere Was a Lake by Margaret Draft

Four Way Books | March 15, 2024

Draft’s debut poetry collection is “captivated by the simultaneously routine and disruptive nature of violence and desire.”

 

 

 

My Life in Brutalist Architecture by John Gallaher

Four Way Books | March 15, 2024

This poetry collection “confronts the truth of the author’s adoption after a lifetime of concealment and deceptions with lucid candor, startling humor, and implacable grief.”

 

 

 

Pentimento by Joshua Garcia

Black Lawrence Press | March 15, 2024

Garcia’s collection is “a response to a kind of annunciation, the almost supernatural calling of the artist to find words through which the self is free to move.”

 

 

 

Truth Be Told by Linda Susan Jackson

Four Way Books | March 15, 2024

Jackson’s collection “looks at the myriad treasures and complexities of Black womanhood by channeling an eclectic cast whose rich interactions testify to the timeless neglect of girlhood, the bond of long-term friendship and the responsibilities of authorship.”

 

 

 

unalone by Jessica Jacobs

Four Way Books | March 15, 2024

“Structured around the twelve parshiyot (portions) of Genesis,” this poetry collection “parallels immersion in Jewish teachings with the contemporary world.”

 

 

 

Another Land of My Body by Rodney Terich Leonard

Four Way Books | March 15, 2024

These poems “witness aging, champion the resilience of desire, articulate Black Southern identity, memorialize the unequal burdens of the pandemic across racial and socioeconomic strata, and preserve the time capsule of one’s particular memories that will depart with them when they go.”

 

 

 

We Are All Sleeping with Our Sneakers On by Matthew Lippman

Four Way Books | March 15, 2024

The poems in Lippman’s latest collection “embrace mess as an inevitability of authentic living and human interconnection.”

 

 

 

Pinion by Monica Rico

Four Way Books | March 15, 2024

Rico’s poems “compose a personal history and a deconstruction of global capitalism as articulated through an encyclopedia of birds.”

 

 

 

the verdant by Linda Russo

Middle Creek Publishing & Audio | March 15, 2024

This collection is “a beautiful organic invocation and tribute to the other-than-human kin of our world, a bow of respect and gratitude for the richness they bring to the places the poet experiences them.”

 

 

 

How to Abandon Ship by Sasha West

Four Way Books | March 15, 2024

In How to Abandon Ship, West “harnesses poetry as a vessel to ferry the inconceivable, to wreck upon the shores of what we’ve known thus far.”

 

 

 

Daywork by Jessica Fisher

Milkweed Editions | March 19, 2024

Fisher’s poetry collection “expertly discerns the monumentalizing portrayals of history and its violences, while boldly illuminating other crucial accounts of everyday existence.”

 

 

 

you by Chantal Neveu

Translated from the French by Erín Moure

Book*hug Press | March 19, 2024

This is “a book-length poem that plunges us more deeply into the notion of the idyll and into the polyhedric structure of love.”

 

 

 

Oh Witness Dey! by Shani Mootoo

Book*hug Press | March 26, 2024

These poems “transcend the tropes of colonial violence through saints and spices, rebellion and joy, to reimagine tensions and solidarities among various diasporas.”

 

 

 

I ask about what falls away by Jason Magabo Perez

Kaya Press | March 26, 2024

Perez’s second poetry collection is “an extended elegy set in the alleyways and Pacific-bound boulevards of San Diego, California during the current global health crisis.”

 

 

 

FishWife by Alysse McCanna

Black Lawrence Press | March 29, 2024

This poetry collection “interrogates dictionary definitions and the messy function of memory, reclaiming and redefining language to discover the self.”

 

 

 

Ghost Man on Second by Erica Reid

Autumn House Press | March 29, 2024

Reid’s debut collection “traces a daughter’s search for her place in the world after estrangement from her parents.”

 

 

 

The History of the Siege by Eric Pankey

Codhill Press | April 1, 2024

Pankey’s prose poems “hope to capture what it is like to live within history, and it looks like, as the old song says, we’re in for nasty weather.”

 

 

 

 

Every Wreckage by Ian C. Williams

Fernwood Press | April 1, 2024

In this debut poetry collection, Williams “buries, unearths, and reburies the questions of adolescence and its legacy.”

 

 

 

Firmament by Christopher Martin

Wandering Aengus Press | April 1, 2024

These poems “live in the parallel realms of the natural world that can be counted on for peace and beauty, and the faulty human world that often fails us, but which we cannot live without.”

 

 

 

Sea of Broken Mirrors by Pablo Medina

Hanging Loose Press | April 1, 2024

Medina’s poems “explore how the diminishment of self (indeed, its ultimate disappearance) can be a way of engaging with the world.”

 

 

 

Slow Render by Jess Yuan

Airlie Press | April 1, 2024

Told in three parts, this poetry collection “unveils as it journeys, slowly rendering into landscapes of childhood warped by memory.”

 

 

 

a little bump in the earth by Tyree Daye

Copper Canyon Press | April 2, 2024

In this poetry collection, Daye “creates a black town on a hill—its land, its losses, its living and ancestral dead.”

 

 

 

Blue Atlas by Susan Rich

Red Hen Press | April 2, 2024

This poetry collection explores the “raw, often far from idyllic experience of a global love affair that results in an unplanned pregnancy.”

 

 

 

Going Out to Gather by Carolyn Adams

Fernwood Press | April 2, 2024

In this poetry collection, Adams explores “the secret places of the natural world, carrying with you the fears, wonder, and curiosity of what it means to be human.”

 

 

 

Joy is the Justice We Give Ourselves by J. Drew Lanham

Hub City Press | April 2, 2024

In this poetry collection, Lanham “mines the deep connection to ancestors through the living world and tunes his unique voice toward embracing the radical act of joy.”

 

 

 

 

Seraphim by Angelique Zobitz

CavanKerry Press | April 2, 2024

The poems in Zobitz’s debut collection “reveal how Black womxn and girls carve out, create, and pass along that lightness in their daily lives.”

 

 

 

The Blue Mimes by Sara Daniele Rivera

Graywolf Press | April 2, 2024

Rivera’s debut is “a collection of sprawling elegy in the face of catastrophic grief, both personal and public.”

 

 

 

The Brush by Eliana Hernández-Pachón

Translated from the Spanish by Robin Myers

Archipelago Books | April 2, 2024

This poetry collection is “an incantatory, fearless exploration of collective trauma—and its horrific relevance in today’s Colombia, where mass killings continue.”

 

 

 

These Hollowed Bones by Amelia Díaz Ettinger

Sea Crow Press | April 2, 2024

This poetry collection “ties together the themes of loss, marriage, and ecology, topics that are at once personal and universal.”

 

 

 

Facing the Mountain: Poems on Dying and Death, Caregiving and Hope by Linda C. Welsh

Warbler Press | April 3, 2024

Facing the Mountain: Poems on Dying and Death, Caregiving and Hope “offers comfort for those in bereavement and explores the interwoven themes of dying, death, caregiving, and hope in human nature and Nature itself.”

 

 

 

Unmade Hearts: My Sor Juana by July Westhale

Small Harbor Publishing | April 4, 2024

In this poetry collection, “Westhale’s translations and marginal notes on Sor Juana Inés de la Cruz’s sonnets conjure a brilliant dialogue across desires, languages, and centuries.”

 

 

 

Some Dark Familiar by Julia C. Alter

Green Writers Press | April 9, 2024

In this collection, Alter “turns an unflinching eye on postpartum depression, maternal ambivalence, pregnancy termination, and the complex weaving of sexuality with motherhood.”

 

 

 

Every Minute Is First: Selected Late Poems by Marie-Claire Bancquart

Translated from the French by Jody Gladding

Milkweed Editions | April 9, 2024

Every Minute Is First: Selected Late Poems is “lean, lucid yet philosophical poetry, reflecting visceral life and experiential thought, walking in the dark with a light.”

 

 

 

Listen to the Golden Boomerang Return by CAConrad

Wave Books | April 9, 2024

In this collection, CAConrad “writes from an ecopoetics that is generous and galvanizing, reminding us of how our present attentions collectively shape a future humanity.”

 

 

 

 

Wind to Space: Poems & Sketches by Rowan Kilduff

Read Furiously | April 9, 2024

The eighth title in the One ‘n Done series, a mix of abstract poetry and sketches, “plays with form by creating an ecological journal filled with connections we make within our environment.”

 

 

 

Beyond the Galleons by Isabel Cristina Legarda

Yellow Arrow Publishing | April 9, 2024

This collection is “a meditation on Filipino experiences of colonization, ancestral connection, alienation, and the ghosts that haunt people living in geographic or psychological diasporas.”

 

 

 

Light Me Down: The New & Collected Poems of Jean Valentine

Alice James Books | April 9, 2024

This collection, edited by Anne Marie Macari, includes poems from Valentine’s twelve full-length poetry collections and a new, unpublished manuscript.

 

 

 

Season Unleashed by Anna Odessa Linzer

Empty Bowl Press | April 9, 2024

According to Brian Lynch, Season Unleashed is “full of deeply resonating truth and beauty about the natural world around us and the gifts of memory that tie it and those we love to us.”

 

 

 

Fugitive/Refuge by Philip Metres

Copper Canyon Press | April 9, 2024

In this book-length qasida, Metres “follows the journey of his refugee ancestors—from Lebanon to Mexico to the United States—in a vivid exploration of what it means to long for home.”

 

 

 

As the Sky Begins to Change by Kim Stafford

Red Hen Press | April 9, 2024

As the Sky Begins to Change is “a book of poems to wake the world, lyric anthems for earth and kin.”

 

 

 

Lost in Living by Halyna Kruk

Translated from the Ukrainian by Ali Kinsella and Dzvinia Orlowsky

Lost Horse Press | April 15, 2024

Lost in Living “presents Halyna Kruk’s unpublished work from the immediate ‘pre-invasion’ years when life in Ukraine was marked by turmoil but full-scale war was not yet normalized.”

 

 

 

Mother Octopus by Sarah Giragosian

Middle Creek Publishing & Audio | April 15, 2024

The poems in this collection “raise questions about the nature of human and animal appetites and the increasing levels of consumption that threaten the environment, while also exploring queer forms of intimacy and resilience in the Anthropocene.”

 

 

 

The Song of Everything: A Poet’s Exploration of South Carolina’s State Parks by Glenis Redmond

Good Printed Things | April 15, 2024

In Redmond’s poetry collection, “after being diagnosed with cancer and amid COVID, she visits South Carolina’s State Parks with her grandson, Julian, as a life-affirming act for both of them.”

 

 

 

Deer Black Out by Ulrich Jesse K. Baer

Red Hen Press | April 16, 2024

Deer Black Out is “a(n obsessional re) mediation of violence and trauma through the trans/coalescence of identities surfacing and resurfacing within a manuscript of serialized poetry.”

 

 

 

No Gods Live Here by Conceição Lima 

Translated from the Portuguese by Shook

Deep Vellum | April 16, 2024

This career-spanning poetry collection “memorializes the cruelties and triumphs of the country’s past alongside the poet’s own childhood poems set against the tiny island nation’s distinctive flora and geography.”

 

 

 

Reader, I by Corey Van Landingham

Sarabande Books | April 16, 2024

This poetry collection “both courts and eschews nuptial myths, as its speaker—tender and callous, skeptical and hopeful, daughter and lover—finds a role for herself in marriage, in history, in something beyond the self.”

 

 

 

The Uncovering by Jennifer Camp

Fernwood Press | April 16, 2024 

This poetry collection “voices the internal—and perfectly human—struggle, the hidden terrors of low self-worth, and the devastating beauty of honesty.”

 

 

 

Wayfaring by Liza Hyatt

Fernwood Press | April 16, 2024

These poems “celebrate every-day, simple tasks as spiritual practices through which the seeker engages with a world brimming with sacred encounter.”

 

 

 

A Field of Nopes by James Ducat

Bamboo Dart Press | April 18, 2024

This book of blackout poems is “a mostly lighthearted, occasionally philosophical journey through selected application and rejection materials from the many teaching jobs the author applied for and did not get between 2011 and 2014.”

 

 

 

Mother of Other Kingdoms by Kai Coggin

Small Harbor Publishing | April 22, 2024

Mother of Other Kingdoms is “a marvel, an intricate tapestry that captures the essence of motherhood in its diverse forms, offering solace, reflection, and a profound connection to the world.”

 

 

 

Black Bell by Alison C. Rollins

Copper Canyon Press | April 23, 2024

“Sweeping from the eighteenth century to futurist fabulations,” this poetry collection “harmonizes poetry with performance art practices in an investigation of fugitivity.”

 

 

 

Green for Luck by Margaret Yapp

EastOver Press | April 23, 2024

In this poetry collection, Yapp “attends to mundanity as a string that holds us close to the earth, building quotidian divinities, landing jokes just to make sure we’re listening.”

 

 

 

 

Ishmael on the Farm by David Kann

Fernwood Press | April 23, 2024

This book “tells of a journey from terror to mastery by way of farming, and how farming’s nature-shaped vocabulary of duties and rituals may heal the deepest wounds.”

 

 

 

The Bearable Slant of Light by Lynnell Edwards

Red Hen Press | April 23, 2024

This poetry collection “documents a web of clinical assessments, medications, the terrible beauties of delusion, and the fragile gifts of darkness.”

 

 

 

The Cloud Path by Melissa Kwasny

Milkweed Editions | April 23, 2024

Kwasny’s poetry collection is “an imaginative reworking of the elegy that focuses on the difficult work of being with the dying.”

 

 

 

Return of the Chinese Femme by Dorothy Chan

Deep Vellum | April 30, 2024

Chan’s fifth collection is “an unabashed exploration of queerness, excess, identity, and tenderness.”

 

 

 

What Comes Back by Javier Peñalosa M.

Translated from the Spanish by Robin Myers

Copper Canyon Press | April 30, 2024

This bilingual poetry collection is “a procession, a journey, a search for a body of water that has disappeared or gone elsewhere.”

 

 

 

Cover of A Map to the Spring by Lim Deok-Gi, featuring an illustration of a birch forest in green.A Map to the Spring by Lim Deok-Gi

Translated from the Korean by Kim Riwon and Karis J. Han

Codhill Press | May 1, 2024

This collection “beckons readers to embrace the interconnectedness of all living things and find solace in the ever-renewing cycles of nature.”

 

 

 

Cover of Common Amnesias by Alex Cuff, featuring an illustration of four roots in a fading brown color.Common Amnesias by Alex Cuff

Ugly Duckling Presse | May 1, 2024

Cuff’s debut poetry collection “moves through the dissolution of adolescent selfhood in the midst of capitalist excess and nuclear family norms, via the territory of dreams.”

 

 

 

Cover of Galáxias by Haroldo de Campos, featuring an abstract illustration of winding blue and white stripes.Galáxias by Haroldo de Campos

Translated from the Portuguese by Odile Cisneros

Ugly Duckling Presse | May 1, 2024

Originally published in 1985, this book consists of 50 “galactic cantoes” and “incorporates literary allusion, citation, and words and phrases in at least a dozen languages.”

 

 

 

Cover of Hopscotch by Fatemeh Shams, featuring two Persian characters in purple on a lighter lilac background.Hopscotch by Fatemeh Shams

Translated from the Persian by Armen Davoudian

Ugly Duckling Presse | May 1, 2024

In Hopscotch, Shams “crafts a vivid liminal world of Berlin-based poems, a canvas where home and exile blur into an intimate middle ground.”

 

 

 

Cover of If Seasons Were Kingdoms by Margaret Koger, featuring a photo of two rolling green hills with a cloudy but sunny sky behind them.If Seasons Were Kingdoms by Margaret Koger

Fernwood Press | May 1, 2024

According to Ken Rodgers, in these poems Koger “leads us on a journey riddled with puzzles, on a search for the narrator.”

 

 

 

Cover of Lex Icon by Salette Tavares, featuring a red rectangle with a white illustrated sun in the middle on a beige background.LEX ICON by Salette Tavares

Translated from the Portuguese by Isabel Sobral Campos and Kristofer J. Petersen-Overton

Ugly Duckling Presse | May 1, 2024

According to Maryam Monalisa Gharavi, “Lex Icon is a tour de force that catalyzes the dualistic tension between word/thing and human/artifice.”

 

 

 

Cover of Reps by Kendra Sullivan, featuring a beige illustration of repeating waves.Reps by Kendra Sullivan

Ugly Duckling Presse | May 1, 2024

In this debut collection, Sullivan “cycles through a series of operational exercises that gradually enable her to narrate an attempted escape from the trappings of narrativity—plot, character, chronology, and the promise of a probable future issuing forth from a stable past.”

 

 

 

Cover of The Beautiful Immunity by Karen An-Hwei Lee, featuring one Covid cell in a cage.The Beautiful Immunity by Karen An-hwei Lee

Tupelo Press | May 1, 2024

According to G. C. Waldrep, this collection is “in part a meditation on the lyric tradition… and in part a revel inside that same tradition, an opulent feast at the table set by the five senses and the mind and heart they serve.”

 

 

 

Cover of The Selkie by Morgan Võ, featuring a black and white illustration of water rushing down a set of stairs.The Selkie by Morgan Võ

The Song Cave | May 1, 2024

This debut poetry collection “is organized into three linked sections, animated by jokes, confusion, existential horror, and banality, often revealing the gaps in understanding that tangle this string of vignettes.”

 

 

 

Cover of The Song of North Mountain by Morgan Golladay, featuring an illustration of yellow and red flowering bushes with a mountain range and a blue sky in the background.The Song of North Mountain by Morgan Golladay

Current Words Publishing | May 1, 2024

The Song of North Mountain is “a transformative collection of poetry and art celebrating the famous and mystical North Mountain of Appalachia.”

 

 

 

Cover of Upstage by Bruce Andrews and Sally Silvers, featuring the title and the authors' names in a mosaic pattern on a bright yellow background.UPSTAGE by Bruce Andrews & Sally Silvers

Ugly Duckling Presse | May 1, 2024

This combination of words and visuals juxtaposes “Bruce’s disjunctive mosaics of language collaged out of signage from Asbury Park, New Jersey, and Sally’s photographs capturing that town’s distinctive looks and textures and pandemic-era atmosphere.”

 

 

 

Cover of Beyond Temples by Martina Reisz Newberry, featuring an abstract illustration of a landscape in green, blue, yellow, and beige.Beyond Temples by Martina Reisz Newberry

Deerbrook Editions | May 3, 2024

According to Seb Doubinsky, Newberry’s latest collection, is “a wonderful patchwork of colorful musings, reflections and illuminations on the everyday path to wisdom.”

 

 

 

Cover of Earth School by David Sloan, featuring an illustration of layers of earth in blue, gray, beige, yellow, brown, and black.Earth School by David Sloan

Deerbrook Editions | May 3, 2024

In Earth School, Sloan “takes us deep into the earth’s human narrative, from ancient Greece to the war-torn 20th century to the cynical present, extracting memories and stories, and weighing lessons learned in this strange world we inhabit.”

 

 

 

Cover of Night Garden by David Stankiewicz, featuring an abstract illustration in blue, beige, brown, and red.Night Garden by David Stankiewicz

Deerbrook Editions | May 3, 2024

In these poems, Stankiewicz “carries us into our own deep longings—for the sacred, for love, for what has been lost—and for the present moment to be fully realized and overflowing.”

 

 

 

Cover of Of the Eaten by Tobi Brun, featuring an illustration of half a pomegranate with three hands sticking forks in it.Of the Eaten by Tobi Brun

The Word’s Faire | May 3, 2024

This poetry collection “follows the life cycle of every life, as the mysterious narrator is cursed to live out humanity, and slowly become it.”

 

 

 

Cover of Tell Me The Moon by Caroline Sulzer, featuring an abstract illustration in gray, black, and orange.Tell Me The Moon by Caroline Sulzer

Deerbrook Editions | May 3, 2024

In Tell Me The Moon, Sulzer “uses language to build a rich visual world where we become aware of the profound manifestations of time’s passage.”

 

 

 

Cover of Anthology of Awe & Wonder by Dennis Camire, featuring a photo of a silhouetted person in profile, standing and looking up at a pink and yellow night sky filled with stars.Anthology of Awe & Wonder by Dennis Camire

Deerbrook Editions | May 5, 2024

In Anthology of Awe & Wonder, “each ode, each murmuration, each sly revelation exists in a lexical realm all its own, pushing the limits of what the heart and the intellect can do.”

 

 

 

Cover of All About You by Chris Nealon, featuring the title text in thin black text on a cream white background.All About You by Chris Nealon

Wave Books | May 7, 2024

Nealon’s fifth book of poetry, All About You, is “both a study of personhood and a diary of release from it.”

 

 

 

Cover of But There's So Much DIY in IVF That We Can't Be Sure by Toby Goostree, featuring an up-close photo of a person's face looking solemnly out at the reader.But There’s So Much DIY in IVF That We Can’t Be Sure by Toby Goostree

Fernwood Press | May 7, 2024

This poetry collection “brings together the story of two couples, a husband and wife going through IVF and Abraham and Sarah from the book of Genesis, finding overlap in the grief of infertility even as their lives are seemingly far apart.”

 

 

 

Cover of Geometry of the Restless Herd by Sophie Cabot Black, featuring an illustration of a person in a blue dress sitting on a throne, resting their forehead on their forearm.Geometry of the Restless Herd by Sophie Cabot Black

Copper Canyon Press | May 7, 2024

In these poems, Black “uses the keeping of animals and tending of land to interrogate the self and in turn reveal new truths about the social, economic, and political realities of contemporary America.”

 

 

 

Cover of Lossless by Matthew Tierney, featuring an abstract illustration of repeating hexagonal pods in green and purple.Lossless by Matthew Tierney

Coach House Books | May 7, 2024

Tierney’s new collection features “tech-inspired sonnets and prose poems that decode a life through the experience of loss.”

 

 

 

 

Cover of Solutions for the Problem of Bodies in Space by Catherine Barnett, featuring a photo cement stairs with a mosaic peeking through one of them, and a person's legs walking down the stairs.Solutions for the Problem of Bodies in Space by Catherine Barnett

Graywolf Press | May 7, 2024

The poems in Barnett’s latest collection about “the loneliness that collects in mirrors and faces… are like speculative prescriptions for this common human experience.”

 

 

 

Cover of The Curve of Things by Kathy Kremins, featuring an abstract illustration of black, pink, and blue with lots of white slightly wavy lines running across it.The Curve of Things by Kathy Kremins

CavanKerry Press | May 7, 2024

These poems “celebrate queer love, map loss and liberation, and explore lovers’ scars and the knot of kinship that remains even when love fades.”

 

 

 

Cover of The Strange God Who Makes Us by Christopher Kennedy, featuring three pieces of scrap metal in white, black, and silver.The Strange God Who Makes Us by Christopher Kennedy

BOA Editions | May 7, 2024

This poetry collection is “an exploration of memory, mourning, and humanity’s precarious relationship to the Anthropocene.”

 

 

 

Cover of The Under Hum by Simone Muench and Jackie K. White, featuring an illustration of a transparent figure with a house, a bush, and the blue sky showing through behind it.The Under Hum by Simone Muench & Jackie K. White

Black Lawrence Press | May 10, 2024

According to Ed Roberson, The Under Hum is “a collaborative collection of poems in various poetic forms from perspectives and lines from a wide range of authorial references.”

 

 

 

Cover of Aguas/Waters by Miguel Avero, featuring a photo of an ocean at night with the word "Aguas" in red on the horizon and the word "Waters" reflecting onto the water beneath it.Aguas/Waters by Miguel Avero

Translated from the Spanish by Jona Colson

Washington Writers’ Publishing House | May 14, 2024

According to Jesse Lee Kercheval, this bilingual collection “is a book that sings, that carries you from the first poem to the last, each alert to the terrible beauty of life.”

 

 

 

Cover of Good Monster by Diannely Antigua, featuring a photo of a child in braids standing on top of a chair and holding onto a chain-link fence that separates them from a busy street.Good Monster by Diannely Antigua

Copper Canyon Press | May 14, 2024

In her second collection, Antigua “locates a resilient desire to find a love that will remain, to feel pleasure in an inhospitable body and, above all, to keep on living.”

 

 

 

Cover of In the Days that Followed by Kevin Goodan, featuring a painting of a black and white bird flying on a beige background.In the Days That Followed by Kevin Goodan

Alice James Books | May 14, 2024

In The Days That Followed “grapples with the sudden knowledge of the existence of a stillborn child conceived out of wedlock and never named, and never spoken of after the relationship had ended.”

 

 

 

Cover of Matters For You Alone by Leslie Williams, featuring an illustration of a chair with a tiny figure sitting in it.Matters for You Alone by Leslie Williams

Slant Books | May 14, 2024

Matters for You Alone is “a spiritual exploration of friendship: its shapes and duties, stresses and blames—and its absolute necessity.”

 

 

 

Cover of Everyone I've Danced With Is Dead by Mamie Morgan, featuring an illustration of a cassette with the name of the book handwritten on it.Everyone I’ve Danced With Is Dead by Mamie Morgan

JackLeg Press | May 15, 2024

The poems in this collection “are exquisitely stitched as they offer up lamentation for, and salutation to, the dead.”

 

 

 

Cover of Good Want by Domenica Martinello, featuring a sea of people with golden halos around their heads as in religious iconography.Good Want by Domenica Martinello

Coach House Books | May 21, 2024

The poems in this collection “open up a series of further possibilities: empathy for difficult people, acceptance of our difficult selves, and joy in every difficult thing.”

 

 

 

Cover of Hold Your Own by Nikki Wallschlaeger, featuring a photo of a laundry line with four pieces of fabric hanging in a forest with the sun peeking through the trees.Hold Your Own by Nikki Wallschlaeger

Copper Canyon Press | May 21, 2024

Wallschlaeger’s poetry collection is “a steadfast search for peace, self-acceptance, and pleasure in a world that makes those basic rights an everyday challenge for Black women.”

 

 

 

Cover of I Will Get Up Off of by Simina Banu, featuring an illustration of a white chair on a blue background.I Will Get Up Off Of by Simina Banu

Coach House Books | May 21, 2024

The poems in this book are “attempts and failures at movement as the speaker navigates her anxiety and depression in whatever way she can, looking for hope from social workers on Zoom, wellness influencers, and psychics alike.”

 

 

 

Cover of Inconsolable Objects by Nancy Miller Gomez, featuring a photo of a girl in a white dress standing with her face to the wall in the corner of a room with peeling wallpaper, a knee-height giraffe standing at her feet, and an owl with an animal in its beak flying behind her.Inconsolable Objects by Nancy Miller Gomez

YesYes Books | May 21, 2024

In this debut poetry collection, Gomez “offers a call and response to all of us stumbling towards connection.”

 

 

 

Cover of Passing Through a Gate by John Balaban, featuring an abstract illustration of blue, green, yellow, and pink fading into each other.Passing through a Gate: Poems, Essays, and Translations by John Balaban

Copper Canyon Press | May 28, 2024

In this collection, Balaban’s prize-winning poems “are threaded through with essays that link poetry to Balaban’s extensive travels, whether hitchhiking throughout the United States or wandering the countryside of Vietnam during wartime to record and translate folk poetry.”

 

 

 

Cover of Waders by Andrew Motion, featuring a green illustration of a man walking through seaweed at the bottom of a body of water.Waders by Andrew Motion

McSweeney’s | May 28, 2024

The fifteen poems in this collection “take shape in an equally wide variety of forms as the book takes up haunting questions of home and belonging.”

 

 

 

Cover of Watcha by Stalina Emmanuelle Villarreal, featuring a photo of an art installation made up of two green figures cut in half where the torsos meet the legs.Watcha by Stalina Emmanuelle Villarreal

Deep Vellum | May 28, 2024

Through “free verse, personal photographs, and prosaic gestures,” this collection charts “a vast terrain that ranges from an artistic standpoint, to border crossing, to belonging, to portraiture, to self-portraiture, to abstraction, to death, to a call for action.”

 

 

 

Cover of Green Island by Liz Countryman, featuring a black-and-white sketch of a lighthouse.Green Island by Liz Countryman 

Tupelo Press | June 1, 2024

In this poetry collection, Countryman “mines childhood for its longing, its intense sensations, its loneliness.”

 

 

 

Cover of Pee Poems: Second Edition by Yang Licai, featuring yellow paint splatters on a blue and black background.Pee Poems: Second Edition by Yang Licai

Translated from the Chinese by Joshua Edwards and Lynn Xu

Circumference Books | June 1, 2024

These poems “go deep and dark—with deceptive lightness—into the metaphysical and the social, offering insight and humor along the way.”

 

 

 

Cover of Freak Show by Casey Killingsworth, featuring the text on a red-and-white-striped circus-tent background.Freak Show by Casey Killingsworth

Fernwood Press | June 4, 2024

In Freak Show, Killingsworth “assembles poems outlining his own freakishness, the odd jobs and shifts that earned him his living, the difficulty trying to relate to other people, even how to love.”

 

 

 

Cover of The Coracle and the Copper Bell: Poems to Carry Skin and Soul by Bethany Lee, featuring a photograph of a leaf floating in water.The Coracle and the Copper Bell: Poems to Carry Skin and Soul by Bethany Lee

Fernwood Press | June 4, 2024

The poems in this collection speak “to the work it takes to weave body and soul into a trustworthy vessel, capable of navigating the currents of a life with curiosity and courage.”

 

 

 

The Unfinished Family by Barbara E. Murphy

Červená Barva Press | June 1, 2024

The poems in this collection “explore the impulses of duty and loyalty, love and fear and compulsion for perfection as the speaker comes to embrace the mistakes that are inevitable in every family.”

 

 

 

Cover of Landsickness by Leigh Lucas, featuring a line drawing of a figure with a scribbled face on a yellow background.Landsickness by Leigh Lucas

Tupelo Press | June 2, 2024

Landsickness “explores the inelegant progress of grief and pursues a relentless search for evidence of the beloved’s presence through the physics of splashes, the history of seasickness, and the science of depression.”

 

 

 

Lunch in Chinatown by Mary Bonina

Červenă Barva Press | June 3, 2024

According to Pui Ying Wong, these are poems of “of disappointments and loss, aspirations and love, and also how poetry and the resolve of students and their teacher can make all the difference in the world.”

 

 

 

Cover of Blue Elegies: Poems by Helen Ruggieri, featuring drawings of two flying, crested birds on a blue background.Blue Elegies by Helen Ruggieri

Sea Crow Press | June 4, 2024

According to TAK Erzinger, this collection is “an avian ode that migrates and mitigates through a lifetime of experiences.”

 

 

 

This Tangled Body by Carmen Calatayud

FlowerSong Press | June 10, 2024

This Tangled Body “reads as surreal poetic memoir, navigating family history, war, migration, and the grit of relationships.”

 

 

 

Cover of Fabulosa by Karen Rigby, featuring the text in white on a blurred pink and black background.Fabulosa by Karen Rigby

JackLeg Press | June 10, 2024

Underpinning Rigby’s poetry collection “is a keen interest in cinema, fashion, feminism, transformation, and textuality (from ars poeticas to portmanteaus to ekphrastics).”

 

 

 

Cover of Nazar Boy by Tarik Dobbs, featuring white text on a blue background.Nazar Boy by Tarik Dobbs

Haymarket Books | June 11, 2024

Dobbs’ poetry collection “explores surveillance, queerness, disability, race, and working-class identity in post-9/11 America.”

 

 

 

Cover of Sapello Son by Alejandro Lucero, featuring text over a black circle on a rust-colored background.Sapello Son by Alejandro Lucero

Bull City Press | June 11, 2024

According to Aldo Amparán, the poems in this collection “sprawl like the New Mexico landscape they inhabit—across memory, family, and the complexities of the body.”

 

 

 

Cover of Wheel by Hayden Saunier, featuring a surreal image of a compass surrounded by growing trees.Wheel by Hayden Saunier

Terrapin Books | June 12, 2024

According to Lynn Levin, “Wheel offers us pleasure after pleasure of finely tuned lyric poems that contemplate the circularity of being, its darkness, its hope.”

 

 

 

Cover of Happy Poems and Other Lies by Jeddie Sophronius, featuring a detailed sepia print of plants in a jungle.Happy Poems and Other Lies by Jeddie Sophronius

Codhill Press | June 15, 2024

This poetry collection “details the experience of an exiled speaker who struggles to conform to the rigid religious beliefs imposed by their family.”

 

 

 

 

Object 7 ( ,a spirit loosely, ,bundled in a frame, ) by Tilghman Alexander Goldsborough

Futurepoem Books | June 15, 2024

According to Marwa Helal, in this collection “Tilghman Goldsborough is reporting live on the minuscule and maximal repercussions of the manmade.”

 

 

 

Cover of Hereafter by Alan Felsenthal, featuring the corner of a house with round and arched windows.Hereafter by Alan Felsenthal

The Song Cave | June 18, 2024

Felsenthal’s second poetry collection “moves between the difficult work of mourning and the spirited nature of life.”

 

 

 

Cover of Ripples in the Fabric of the Universe by Jim Tilley, featuring an image of a rippling stream in the desert.Ripples in the Fabric of the Universe by Jim Tilley

Red Hen Press | June 18, 2024

In these poems, Tilley “draws on his experience as a poet and mathematician to fix a lens on the current raw state of the country and the world and on interpersonal relationships.”

 

 

 

The Dove That Didn’t Return by Yael S. Hacohen

Holy Cow! Press | June 25, 2024

This book of poems including biblical stories, verses, and fragments “tackles the canon of war poetry, an almost exclusively male-penned body of poems.”

 

 

 

Cover of Instructions for the Lovers by Dawn Lundy Martin, featuring a collage of photographs in red and black on a red striped background.Instructions for the Lovers by Dawn Lundy Martin

Nightboat Books | June 25, 2024

Instructions for the Lovers is “a taught, tender collection of poems woven with sadness and loss dealing with aging, attachments, and the precarity of life.”

 

 

 

The Company Misery Loves by Kate Fox

Sheila-Na-Gig Editions | June 30, 2024

Fox’s collection examines “what it means to exist in those distinct but inseparable worlds—worlds that can cause both misery and joy for those who are time-bound, but can also grant infinite insight and wisdom.”

 

 

 

Cover of Coachella Elegy, featuring vertical text on a blue background.Coachella Elegy by Christian Gullette

Trio House Press | July 1, 2024

This debut poetry collection “explores the queer promised lands and poolside utopias of the American West even as they are threatened by environmental destruction.”

 

 

 

Cover of Dressing the Bear, featuring a white flower with a brown button at its center.Dressing the Bear by Susan L. Leary

Trio House Press | July 1, 2024

Leary’s Dressing the Bear is a collection of poems “composed in the wake of her brother’s passing that explores the themes of love, loss, grief, longing, and addiction.”

 

 

 

Cover of The Bamboo Wife, with a stylized blue pond, leaves, and moon.The Bamboo Wife by Leona Sevick

Trio House Press | July 1, 2024

Sevick’s poetry collection “captures the experiences of an imperfect woman held up against the standard of ‘good’ wife and mother.”

 

 

 

Cover of four fields, with a sepia image of two hands.Four Fields by Dorinda Wegener

Trio House Press | July 1, 2024

Wegener’s Four Fields “weaves family traditions and natural landscapes into a stunning tapestry of loss, trauma, growth, and maturity.”

 

 

 

Cover of Gorgeous Freak, featuring three circles with flowers on a green background.Gorgeous Freak by Julie Poole

Deep Vellum | July 2, 2024

This poetry collection “follows Poole’s decision to start keeping a poetry journal while commuting by foot around Austin.”

 

 

 

Cover of A Blind Salmon by Julia Wong Kcomt, featuring a silhouette of a hand, flowers, and a fish on a pink background.A Blind Salmon by Julia Wong Kcomt

Translated from the Spanish by Jennifer Shyue

Deep Vellum | July 2, 2024

In her first full-length collection available in English, Wong Kcomt “traces fanged emotions with sticky precision, exploring mothering, multilinguality, and madness.”

 

 

 

Cover of So-Lair Storm, featuring the text in red above several red and white lines on a yellow background.So-Lair Storm by Andrés Ajens

Translated from the Spanish by Erín Moure

Black Sun Lit | July 9, 2024

In this bilingual poetry collection, Ajens “combines indigenous writing and languages, the history of Western literature, post-structuralist philosophy and linguistics, manipulating geographical and scriptural boundaries.”

 

 

 

Cover of Be Broken to Be Whole, with an ink-strokes illustration of something in flight.Be Broken to Be Whole: New & Selected Poems by Tom Crawford

Empty Bowl | July 9, 2024

According to Edward Field, “Crawford’s translucent poetry shimmers with gratitude for life that only someone who has come through deep sorrow can feel, and approaches the uncanny wisdom of the twice-born.”

 

 

 

Cover of blue and blue and blue, featuring blue paintstrokes that look like water.blue and blue and blue by Darren C. Demaree

Fernwood Press | July 9, 2024

blue and blue and blue “conveys the overwhelming importance of having (every so often) a complete washing off of your desire for success.”

 

 

 

Cover of A Map of My Want, featuring an illustration of a Black figure in a dress, bent backward as if dancing, on a pink bacground.A Map of My Want by Faylita Hicks

Haymarket Books | July 9, 2024

Hicks’s second poetry collection “follows a nonbinary femme as they explore the sensual intersection of the personal and the political, a crossroads to which their sexual liberation brought them after their escape from a religious cult.”

 

 

 

Fire Season by Jeff Knorr

FlowerSong Press | July 9, 2024

Fire Season is a collection of “lyrics and prose poems that illustrate mass incarceration and the experience of having a family member incarcerated.”

 

 

 

Cover of Fine in a Minute, featuring a line drawing of a cigarette in an ashtray and swirling smoke.Fine in a Minute by King Daddy

Bamboo Dart Press | July 12, 2024

This poetry collection “highlights King Daddy’s twisted, erotically-charged yet erudite wit and wisdom, which evokes fever dream poignancy and working-class empathy.”

 

 

 

Cover of Past Lives, featuring overlapping pink, blue, and yellow shapes.Past Lives by V. Joshua Adams

JackLeg Press | July 15, 2024

These are poems “of wit, inquiry, and sonic vigor that examine issues of being, textuality, and the imaginative act.”

 

 

 

It Is As If Desire by Terence Winch

Hanging Loose Press | July 15, 2024

It Is As If Desire is a collection of 10-line occasional poems “that examine, deconstruct, disrupt, and celebrate love and friendship.”

 

 

 

Cover of Instructions for Banno, featuring a gilt arch shape below the text on a white background.Instructions for Banno by Kiran Bath

Kelsey Street Press | July 16, 2024

In her debut poetry collection, Bath “travels through the timelines and geographies of the women in her family to understand the inherited consequences of becoming a South Asian bride (banno).”

 

 

 

Cover f Talking Back to the Exterminator, featuring an illustration of a pigeon with red text.Talking Back to the Exterminator by Daniel Bourne

Regal House Publishing | July 16, 2024

This poetry collection explores “Bourne’s upbringing in southern Illinois to his later homes in Ohio, Poland, or the American Southwest.”

 

 

 

Cover of Infodemic, featuring streaked white and gray reminiscent of a rainy landscape.Infodemic by Carol Guess

Black Lawrence Press | July 26, 2024

Guess’s poetry collection “digs through the dark absurdities of our shared trauma–the stunted intimacies of life through masks and Twitter and Zoom–alongside ‘the small messes of the heart.'”

 

 

 

Cover of Ash Keys, featuring a sketchy gray illustration of small animals, including a badger and a rabbit.Ash Keys: New Selected Poems by Michael Longley

Wake Forest University Press | July 27, 2024

The poems in this collection explore “love, violence, the natural world, art, psychodrama, family, the Great War, the Homeric past, and Northern Ireland’s troubled present.”

 

 

 

Cover of Book of Provocations featuring the title over a stylized triangle of orange and black and white striped triangles.Book of Provocations by mónica teresa ortiz

Host Publications | July 27, 2024

These poems “explore catastrophe, illustrating in verse the refusal of the human spirit to submit to systems of oppression, and its undying cry for liberation.”

 

 

 

Cover of Leaving Biddle City, featuring cut pieces of a photograph arranged in stripes on a white background.Leaving Biddle City by Marianne Chan

Sarabande Books | July 30, 2024

This coming-of-age poetry collection “details one Filipina American speaker’s experience of growing up amid a white, Midwestern suburbia mythologized as ‘Biddle City.'”

 

 

 

Confession of a Heliophiliac by Rochelle Germond

Choeofpleirn Press | August 1, 2024

The poems in this collection are “part ode to sunlight, part elegy for home” and grapple “with loss, womanhood, religion, and longing—for people, the past, places where we belong.”

 

 

 

 

Cover of Washing a Myna featuring an illustration of waves and an ocean scene rising from a teal vase on a red background.Washing a Myna by Hwang InChan

Translated from the Korean by Eun-Gwi Chung

Black Square Editions | August 1, 2024

This poetry collection “unveils the myriad questions caused by the relationships of things and people, and curiosities about existential exercises generated by points where prosaic language does not reach.”

 

 

 

Cover of Broken Waters featuring a painting of a blue room with a kitchen table.Broken Waters by Amy Bornman

Fernwood Press | August 6, 2024

Bornman “draws upon Biblical imagery—water and fire, bleeding and cleansing, birth and crucifixion—to audaciously poeticize her own experience as a mother.”

 

 

 

Cover of I Don't Want to Be Understood featuring a photograph of a stool made of a pink organic-looking material.I Don’t Want To Be Understood by Joshua Jennifer Espinoza

Alice James Books | August 6, 2024

This poetry collection “is a work of resistance against the conventional trans narrative, and a resistance against the idea that trans people should have to make themselves clear and understandable to others in other to deserve human rights.”

 

 

 

Zebra Lashes by Rikki Santer

Fernwood Press | August 6, 2024

According to Allison Pitinii Davis, in Santer’s thirteenth poetry collection “social justice and surrealism bat their eyelashes at each other across the Anthropocene.”

 

 

 

Suspended In My Insecticide Jar by Clara McAuley

First Matter Press | August 10, 2024

According to Zachary Kluckman, “the determination to be the author of her own literal and figurative narrative is an impelling force” behind this “visceral and nuanced collection of poems.”

 

 

 

Cover of Another Woman, featuring a blurred photograph of a woman's face and her hand holding a cigarette.Another Woman by Hannah Bonner

EastOver Press | August 13, 2024

This poetry collection “explores female sexuality, anguish, and abjection within the decline of a romantic relationship as well as through biblical, mythical, or pop cultural figures such as Delilah, Aphrodite, or Karen Carpenter.”

 

 

 

Quince, Rose, Grace of God by Trina Gaynon

Fernwood Press | August 13, 2024

In these poems, Gaynon “claims the roles of first-time home buyer, resident in the troubled town of Richmond, second language tutor, writer, and church member before she comes to love them.”

 

 

 

Cover of ALL OF THEM ALL OF THEM featuring a man in a suit shadowed by another silhouetteALL OF THEM ALL OF THEM by Akira Ritos

fifth wheel press | August 13, 2024

The poems in this collection “explore family, generational trauma, traditions, and grief in their life as a queer Filipino-American.”

 

 

 

Cover of Self Portrait of Icarus as a Country on Fire, featuring a picture of a winged astronaut above a burning planet.Self Portrait of Icarus as a Country on Fire by Jason Schneiderman

Red Hen Press | August 13, 2024

Schneiderman “confronts the rise of extremism and antisemitism in the United States while grappling with the end of his marriage and finding his feet as a newly single gay man.”

 

 

 

Cover of Sonnets for a Missing Key featuring text on a background of distressed yellow, red, and black bands.Sonnets for a Missing Key by Percival Everett

Red Hen Press | August 20, 2024

These experimental sonnets are “inspired by the Preludes of Chopin and the piano solos of Art Tatum.”

 

 

 

Funeral Playlist by Sarah Gorham

Etruscan Press | August 20, 2024

This poetry collection exploring a diverse range of songs “examines the intricate connections between music, consolation, and human mortality.”

 

 

 

Cover of The Stuff of Hollywood, featuring a black and white photograph of several people on horseback, on a black background.The Stuff of Hollywood by Niki Herd

Copper Canyon Press | August 20, 2024

In this book-length poem, Herd “relies on various modes—images, prose, lyric and documentary poems—to reflect upon the quotidian nature of gun culture, police killings, and political unrest.”

 

 

 

Cover of Old Stranger featuring a stylized, mask-like painting of a white person's face with their fingers on their chin.Old Stranger by Joan Larkin

Alice James Books | August 20, 2024

The secret in Larkin’s sixth collection “begs to be seen and known, even when faced with her aging and her own mortality.”

 

 

 

Cover of Bluff, featuring a collage-like illustration of a Black man with an ombre purple face receiving a haircut.Bluff by Danez Smith

Graywolf Press | August 20, 2024

Bluff is “a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures.”

 

 

 

Cover of Refugee Number 33,333 featuring the text in yellow on a green background, surrounded by other numbers in black.Refugee Number 33,333 by Farhad Pirbal

Translated from the Kurdish by Pshtiwan Babakr and Shook

Deep Vellum | August 22, 2024

Pirbal’s poetry is “a chronicle of exile and displacement, longing and not belonging.”

 

 

 

The Autobiography of Rain by Lana Hechtman Ayers

Fernwood Press | September 1, 2024

These poems “explore the healing powers of art and nature in a world that is as rife with grief as it is ripe with beauty.”

 

 

 

The Book of Drought by Rob Carney

TRP: The University Press of SHSU | September 1, 2024

In the poetry collection The Book of Drought, Carney “skips ahead to the ending, setting his unnamed Listen-Recorder in a near-future landscape newly wrecked by drought.”

 

 

 

What Good Is Heaven by Raye Hendrix

TRP: The University Press of SHSU | September 1, 2024

These poems “layer a queer coming-of-age narrative with poems of witness to the difficult realities not only of rural and farm life, but of violent cultural norms based around the patriarchal religious beliefs that the region is steeped in.”

 

 

 

In Praise of Late Wonder by Lee Herrick

Gunpowder Press | September 1, 2024

In this collection, California Poet Laureate Herrick writes “with openness about his adoption from Korea in more than 25 new memoir-like prose poems.”

 

 

 

Come and See: A Verse Translation of the Gospel of John by Eric Hoffman

Dos Madres Press | September 1, 2024

The lyrics in this collection “stand as unadorned as possible, so that each acuminated image and phrase intends, as did the original Greek, to pierce the thin veil between the human and the divine.”

 

 

 

Called Back by Rosa Lane

Tupelo Press | September 1, 2024

Lane’s poetry collection allows “the mysteries of Emily Dickinson’s life to blossom into an incisive exploration of feminist poetics, innovation, and the gendered, temporally bound nature of artistic audience.”

 

 

 

The Oldtimers by Wing Tek Lum

Bamboo Ridge Press | September 1, 2024

Lum’s poems imagine life in Honolulu Chinatown circa 1900, giving voice to “the forgotten pioneer generation of sojourners and settlers.”

 

 

 

An Overdose of Meditation by Irene Mitchell

Dos Madres Press | September 1, 2024

In this poetry collection, Mitchell “has devised a formula through which she realizes that thoughtful perception is a vital principle of life.”

 

 

 

The Book of Wounded Sparrows by Octavio Quintanilla

TRP: The University Press of SHSU | September 1, 2024

In his second full-length poetry collection—and its limited-edition, full-color set of broadsides—which was longlisted for the 2024 National Book Award in poetry, Quintanilla “sifts through the wreckage left in the pursuit of the American Dream.”

 

 

 

Recalibrating Gravity: A Memoir in Verse by Mary Keating

Woodhall Press | September 2, 2024

Keating’s book “reminds us, no matter how hard life may seem—grace, love, and humor will save us from despair and allow us to live our best life under any circumstances.”

 

 

 

My Infinity by Didi Jackson

Red Hen Press | September 3, 2024

In her second poetry collection, Jackson “continues her exploration of the paradoxical meaning of a world where joy and sorrow simultaneously coexist.”

 

 

 

I Remember Not Sleeping by Sherri Levine

Fernwood Press | September 3, 2024

According to Matthew Dickman, this poetry collection is “good company for anyone who has struggled with mental health, for anyone who has felt alone, for anyone being bounced around in the sea of life.”

 

 

 

Zong! by m. nourbeSe philip

Graywolf Press | September 3, 2024

The 15th-anniversary edition of this influential work of 21st-century literature features a new preface by the author and new essays by Saidiya Hartman and Katherine McKittrick.

 

 

 

In a Field of Hallowed Be by Timothy Geiger

Terrapin Books | September 9, 2024

According to Richard Jackson, in this collection Geiger “listens to the songs of the many birds that populate the poems, not simply for their heard song, but for their unheard messages.”

 

 

 

Don’t Forget to Love Me by Anselm Berrigan

Wave Books | September 10, 2024

In Berrigan’s latest collection, he “pivots between semiotic slippage and shrewd assertions, letting the form of each poem take shape as it will, a surprise of sound and sight.”

 

 

 

Autobiomythography of by Ayokunle Falomo

Alice James Books | September 10, 2024

According to I. S. Jones, this poetry collection “bends and reimagines the limits of language, blends the Divine with the digital present, contemporary music with the voices of the past while the speaker traverses the friction between their American & Nigerian heritage.”

 

 

 

Cover of Plum Blossom Wine, featuring an ink painting of plum blossoms on a beige background.Plum Blossom Wine by Li Qingzhao

Translated from the Chinese by Sibyl James and Kang Xuepei

Empty Bowl Press | September 10, 2024

These poems “full of wistful longing resonate across the centuries like a temple bell just rung.”

 

 

 

The Girl Who Became a Rabbit by Emilie Menzel

Hub City Press | September 10, 2024

This book-length lyric “pushes the limits of the prose-poetic form to explore how the body carries and shapes grief and what it means to tell a story.”

 

 

 

What Comes from the Nights by John Taylor

Coyote Arts | September 10, 2024

According to Katie Lehman, Taylor’s poems “move perceptively forward with due diligence among ‘hints of history,’ whether they are somersaulting pebbles or ‘wings riddled with wormholes.’”

 

 

 

The Goodbye Kit by Daneen Bergland

Airlie Press | September 15, 2024

Bergland’s poems about girlhood, marriage, parenthood, aging, and nature “explore ecologies of intimacy made tangible through both experience and witness.”

 

 

 

Indirect Light by Malachi Black

Four Way Books | September 15, 2024

Black’s collection both “returns to friends and kin to honor them by the indirect light of memory” and “seeks to memorialize the author’s personal experience of adolescence and addiction amidst the opioid epidemic.”

 

 

 

Greater Ghost by Christian Collier

Four Way Books | September 15, 2024

The poems in Collier’s debut collection “move between elegies for private hauntings and public ones, the visceral bereavement of a miscarriage alongside the murder of a family member and the specter of police brutality.”

 

 

 

even my dreams are over the constant state of anxiety by Irene Cooper

Airlie Press | September 15, 2024

This poetry collection is “bound by pulse and impulse, bent on giving body to the amorphic, and buoyed by the insistent beauty of a damaged planet.”

 

 

 

Rara Avis by Blas Falconer

Four Way Books | September 15, 2024

In these poems, Falconer asks “what it means to live outside the heteronormative experience while existing as a man, simultaneously a casualty and a participant in the project of masculinity.”

 

 

 

What if the Invader Is Beautiful by Louise Mathias

Four Way Books | September 15, 2024

What if the Invader is Beautiful “explores the ineffable yet primal connections between outer and inner landscapes—the impact that the natural world has on the psychological terrain of our interior lives.”

 

 

 

Go Figure by Carol Moldaw

Four Way Books | September 15, 2024

Moldaw’s poems “engage public and private life and voice a necessary and resounding affirmation of the feminine and of language emerging through silence.”

 

 

 

Saints of Little Faith by Megan Pinto

Four Way Books | September 15, 2024

The poems in Pinto’s debut collection “engage with South Asian experiences of addiction, domestic violence, and mental illness, refusing to ignore narratives treated as unspeakable and overlooked by the English canon.”

 

 

 

New Vrindaban by Jacob Strautmann

Four Way Books | September 15, 2024

Strautmann’s latest collection “houses the compressed narratives of varied characters, monumentalizes the beautiful illusions of failed ideas, and remembers the irretrievable innocent love of youth.”

 

 

 

TRANZ by Spencer Williams

Four Way Books | September 15, 2024

In her debut collection, Williams writes “equally riotous and vulnerable poems, penning a love letter to trans people and their audacity to exist in a world that constantly endangers them structurally and individually.”

 

 

 

Terminal Maladies by Okwudili Nebeolisa

Autumn House Press | September 16, 2024

Winner of the 2023 CAAPP Book Prize, this poetry collection “serves as an intimate exploration of the relationship between a mother and son and their emotional journey during her battle with cancer.”

 

 

 

The Twenty-First Century by Jacob Eigen

Copper Canyon Press | September 17, 2024

Eigen’s debut collection “guides us through a breadth of environments and worlds — from far off times and places to the poet in the present, leaving Costco, wandering through the mazy streets of Queens.”

 

 

 

Want, the Lake by Jenny Factor

Red Hen Press | September 17, 2024

Factor’s second poetry collection “spans twenty years of life—accumulated wisdom, images, and desires—with a dedication to craft that has been honed and clarified by time.”

 

 

 

Raft by Ted Kooser

Copper Canyon Press | September 17, 2024

With “deeply imagistic and metaphorically rich” poems, Kooser’s collection “shows us that even the simplest of objects, the simplest of actions, can become a portal.”

 

 

 

Cold Dogs by Zan de Parry

The Song Cave | September 17, 2024

Coupled with the poet’s line drawings, “these questioning and conversational poems operate on the sidelines of reason, dictated by human instinct.”

 

 

 

Stars Unseen by Greg Watson

Holy Cow! Press | September 17, 2024

According to Michael Kleber-Diggs, Watson’s collection “works with light and shadow as it captures scenes and sounds—silence, whispers, and song.”

 

 

 

The Invisible World by Matt Daly

Unsolicited Press | September 24, 2024

Daly’s poetry collection “began as a conversation with a troubling and troublesome ancestor whose writings and speeches were influential in the early history of what would become the United States.”

 

 

 

Songs for the Land-Bound by Violeta Garcia-Mendoza

June Road Press | September 24, 2024

This debut poetry collection explores “the constraints and anxieties of midlife in the midst of climate breakdown, of motherhood in a period of personal and planetary vulnerability.”

 

 

 

Daughter of Three Gone Kingdoms by Joan Kwon Glass

Perugia Press | September 24, 2024

Kwon Glass’s latest collection is “part lamentation and part hymn—an illumination of diasporic hungers, hauntings, absence, and resilience.”

 

 

 

What Monsters You Make of Them by Christian Teresi

Red Hen Press | September 24, 2024

Teresi’s poems “interrogates ecology and injustice through shifting landscapes and ancient cities.”

 

 

 

If I Were God I Would Also Start with Light by Gardner Dorton

Thirty West Publishing House | September 27, 2024

According to Taylor Byas, Dorton’s poetry collection “undertakes the sizable quest of finding alternative role models in order to reconstruct the desire that has been long denied.”

 

 

 

Ankle-Deep In Pacific Water by E. Hughes

Haymarket Books | September 27, 2024

Hughes’s debut collection of lyric poems interrogates “the generational implications of the Great Migration to Northern California.”

 

 

 

Kimono with Young Girl Sleeves by Jill Hoffman

Box Turtle Press | September 28, 2024

According to David Lehman, Hoffman’s poems “surprise and delight with their candor and with the skillful irony that permits the poet to translate autobiography into poetry.”

 

 

 

Cover of Consider the Rooster by Oliver Baez Bendorf featuring an illustration of a blue rooster’s foot against a pink and yellow sky inside a frame.Consider the Rooster by Oliver Baez Bendorf

Nightboat Books | October 1, 2024

Baez Bendorf’s third collection “resounds through liminal spaces, at dusk and dawn, across personal meditations and wider cultural awakenings to form a collection overflowing with freedom, rebellion, mischief, and song.”

 

 

 

Cover of Exit Garden State by John Hennessy, featuring a black background with yellow text and a photograph of an orange flame.Exit Garden State by John Hennessy

Lost Horse Press | October 1, 2024

The speakers of these poems “explore the knots of familial experience, what it’s like to be both parent and child simultaneously, to be embraced by family as well as to lose it, to celebrate kinship and endure its sorrows and changes.”

 

 

 

Cover of Empty Me Full by Catherine Abbey Hodges, featuring black text on an abstract painting of a landscape.Empty Me Full by Catherine Abbey Hodges

Gunpowder Press | October 1, 2024

According to Donna Spruijt-Metz, Abbey Hodges “tenderly interrogates the workings of time,” traveling “with remarkable ease through the liminal corridors between life and death, how we remember, and what we can know.”

 

 

 

Cover of Television Fathers by Sylvia Jones, featuring a black and white photograph of a Black family sitting on a couch.Television Fathers by Sylvia Jones

Meekling Press | October 1, 2024

In this debut collection, Jones is “simultaneously reimagining the past and reveling in the absurd contemporary—her gaze never straying from social inequity, nor from the personal scales of fate.”

 

 

 

Cover of The Naomi Poems: Corpse and Beans by Bill Knott featuring white text and a blue-tinted photograph of the back of a woman’s head.The Naomi Poems: Corpse and Beans by Bill Knott

Black Ocean | October 1, 2024

This new edition of The Naomi Poems brings the collection back into print after almost 60 years and features a new introduction by Richard Hell.

 

 

 

Cover of The Analog Body by Alexander Laurence, featuring white and brown text on a black background with an illustration of multiple brown and gray lines overlapping.The Analog Body by Alexander Laurence

Tofu Ink Arts Press | October 1, 2024

According to Jack Skelley, Laurence’s poetry collection “compiles decades of dreamscapes, deft allusions to the literary-pop canon and cubist-punk lab tests that go Ka-BLAM!”

 

 

 

All at Once by Jack Ridl

CavanKerry Press | October 1, 2024

The poems in Ridl’s latest collection are “each structured as a lyrical collage that gazes in a rearview mirror over his 80 years of being.”

 

 

 

Cover of A History of Echoes by Rod Carlos Rodriguez, featuring red text on a yellow background and a photograph of a large statue of a man’s face surrounded by vegetation.A History of Echoes by Rod Carlos Rodriguez

Gival Press | October 1, 2024

According to Mihir Shah, in this book Rodriguez “preserves the rich history of Taíno culture with incredible tact and tenacity in a compilation that is a clinic on narrative poetry.”

 

 

 

Cover of Army of Giants by Matthew Rohrer featuring large black text sideways on a cream background.Army of Giants by Matthew Rohrer

Wave Books | October 1, 2024

This collection of poems is a “diverse meditation on the ways in which the physical world intersects, overlaps, and informs the universe of the imagination.”

 

 

 

Cover of Ribcage of Time by Jacqueline Tchakalian featuring white text on a maroon background with an illustration of a plant that has white and green leaves.Ribcage of Time by Jacqueline Tchakalian

Red Hen Press | October 1, 2024

Tchakalian’s second poetry collection “is both intimate and universal in its scope of events—family life, birth, death, rape, abortion, genocide from a poet on the ledge of some eighty years of life with language fresh and unsettling.”

 

 

 

Cover of The Language of Light by Nancy Thomas, featuring a close-up photograph of blades of grass with dew on them in the sunlight.The Language of Light by Nancy Thomas

Fernwood Press | October 2, 2024

In these poems, Thomas “plays with common figures of speech in the English language, celebrates relationships with peculiar people, and attempts to approach growing older with courage and humor.”

 

 

 

Cover of The Escapades by Marie-Noelle Agniau, featuring peach text on a brown background and a light green illustration of a child riding a horse.The Escapades by Marie-Noëlle Agniau

Translated from the French by Jesse Hover Amar

World Poetry Books | October 3, 2024

Agniau’s English-language debut is a “surreal and haunting work of transfiguration and rupture inspired by Ovid’s Ocyrhoe.”

 

 

 

Cover of Collected Poems by Gerard Fanning, featuring a photograph of a hole in a teal cement wall that looks on to a body of water with smokestacks in the distance.Collected Poems by Gerard Fanning

Wake Forest University Press | October 7, 2024

This collection of Fanning’s four published books and one previously unpublished collection is “dense with allusions to American music and contemporary cinema, and equally attentive to Ireland’s eastern and western seascapes.”

 

 

 

Cover of Gay Poetics of the Passion by Luis Lopez-Maldonado, featuring a photograph of a man in a wedding dress holding a bouquet of flowers and a dagger.Gay Poetics of the Passion by Luis Lopez-Maldonado

FlowerSong Press | October 7, 2024

Lopez-Maldonado’s “complex collection of poemas and gay prayers” blends “genders, sexes, races, classes, and verdades to create an over-satisfying fruit-smoothie intended to fill, over-fill, and spill.”

 

 

 

Cover of Among the Crags of the Eyrie by Daniel Shapiro, featuring an illustration of two hawks flying against a background of snow-covered mountains.Among the Crags of the Eyrie by Daniel Shapiro

Dos Madres Press | October 7, 2024

According to Anthony Seidman, Shapiro “deftly showcases poems of personal experience alongside more hermetic and shorter verse, yet it is his assured voice that sweeps us up in his legacy of wind, sabbath wine, savannahs, even the Ostriches of Pasadena from yesteryear.”

 

 

 

Cover of Desire/Halves by Jai Hamid Bashir, featuring white cursive text on an orange background and an illustration of a blue snake interwoven with a photograph of a peeled orange.Desire/Halves by Jai Hamid Bashir

Nine Syllables Press | October 8, 2024

Bashir’s debut collection “navigates between English, Urdu, and Spanish, examining the interplay of these languages and the experience of being Pakistani-American.”

 

 

 

Cover of One As Other by Chard deNiord, featuring black text over a multicolored abstract painting with a black rectangle in its center. One as Other by Chard deNiord

Green Writers Press | October 8, 2024

According to Dzvinia Orlowsky, deNiord’s collection “points us past near-elegiac compassion toward a belief in infinite, beautiful sanctuaries.”

 

 

 

Cover of The Holy & Broken Bliss by Alicia Ostriker, featuring an abstract painting with yellow, gray, pink, beige, and blue paint smudges.The Holy & Broken Bliss by Alicia Ostriker

Alice James Books | October 8, 2024

According to Publishers Weekly, “Ostriker confronts the intricate dance between spiritual despair and revelatory beauty in her ethereal 17th collection.”

 

 

 

Cover of Inner Verses by Pam Rehm, featuring small black text on a white background that resembles paper.Inner Verses by Pam Rehm

Wave Books | October 8, 2024

Rehm’s collection of lyric poems helps readers “experience a genuine devotion for both birdsong and breath, and the intimacies of thought connecting the two.”

 

 

 

Cover of Window Over Sink by Charles Springer, featuring white text over a blurry photograph of trees through a window covered in raindrops. Window over the Sink by Charles Springer

Fernwood Press | October 8, 2024

According to Michael Martone, this collection of prose poems “gives us tragedy, but also the whole Polonius litany of ‘tragical-comical-historical-pastoral-poem unlimited’ in this very real surreality.”

 

 

 

Cover of The Light That Burns by Jazra Khaleed, featuring a blurred black and white photograph of a person running on a sidewalk. The Light That Burns Us by Jazra Khaleed

Translated from the Greek by Peter Constantine, Viktoras Iliopoulos, Sarah McCann, Jason Rigas, Max Ritvo, Angelos Sakkis, Josephine Simple, Brian Sneeden, and Karen Van Dyck

World Poetry Books | October 10, 2024

Khaleed’s English-language debut is “an unapologetic indictment of the wrongs faced by immigrants, by a rudderless young European generation, by leftist activists in a Greece and a Europe blighted by neoliberal policies of deregulation and privatization.”

 

 

 

Cover of Unicorn Death Moon: Paris Guidebook by Zachary Cahill, featuring an expressionist painting of a unicorn and a skeleton against a dark blue background.Unicorn Death Moon: Paris Guidebook by Zachary Cahill

Red Ogre Review | October 11, 2024

According to Jacob Henry Leveton, Cahill’s collection of poems “marshals the imaginative to ground his reader in what is dark, fantastic, surreal, and magical.”

 

 

 

Cover of Calendar by Dawn Potter, featuring black and gray text over a photograph of a muddy path in a forest surrounded by evergreen trees.Calendar by Dawn Potter

Deerbrook Editions | October 14, 2024

According to Arielle Greenberg, Potter’s latest poetry collection “witnesses both the partially eclipsed diurnal (laundry, litter) and the shining counter-quotidian (patience, psalms).”

 

 

 

Cover of Into the Ether by Kate Banks, featuring a gold illustration of a dragonfly and paint splatters on a black background.Into the Ether by Kate Banks

Regal House Publishing | October 15, 2024

Each poem in Banks’s collection “builds a history, layered like sediment, of a life of observations, of tragedy, of connection, with one inevitable conclusion.”

 

 

 

 

Cover of Deeper the Tropics by Matt Broaddus featuring black text on black, green, and blue abstract painting of vegetation. Deeper the Tropics by Matt Broaddus

Fonograf Editions | October 15, 2024

Broaddus’s collection presents “the self as an accumulation of faces over which we have only partial control” via persona poems, prose poems, and false translations.

 

 

 

 

An Authentic Life by Jennifer Chang

Copper Canyon Press | October 15, 2024

In her third collection, Chang uses “dialogues against literature, against philosophy, and against God” to interrogate “the ‘fathers’ who stand at the center of history.”

 

 

 

Cover of Persephone Heads for the Gate by Merrill Oliver Douglas, featuring an abstract painting of a purple-skinned person in a dress and two other figures standing in front of several tall peach-colored buildings.Persephone Heads for the Gate by Merrill Oliver Douglas

Silverfish Review Press | October 15, 2024

According to Ellen Bass, these poems “move the reader’s focus from quotidian detail to big idea with confidence” and “fresh, engaging imagery that holds tension between beauty and harsh truths.”

 

 

 

Cover of The Village of New Ghosts by Winifred Hughes, featuring dark blue watercolor outlines of four people and two animals on a white background.The Village of New Ghosts by Winifred Hughes

Passager Books | October 15, 2024

According to EJ Colen, The Village of New Ghosts creates a “linguistic and emotional landscape of give and take, of push and pull, each step forward a constant realignment of understanding of nature and history, of temporality itself.”

 

 

 

Cover of Under This Roof by Theresa Monteiro featuring white text over a beige watercolor painting with a cream colored circle in the center.Under This Roof by Theresa Monteiro

Fernwood Press | October 15, 2024

Monteiro’s debut collection “offers the possibility of restoration, of making peace with grief, and of forging connection in a disrupted world.”

 

 

 

The Alcestis Machine by Carolyn Oliver

Acre Books | October 15, 2024

The “parallel personas” in Oliver’s collection “inhabit space stations and medieval villages, excavate the Devonian seabed, and plumb a subterranean Anthropocene.”

 

 

 

Cover of apparitions (nines) by Nat Raha featuring an infrared photograph of grass and leaves on the edge of a pond.apparitions (nines) by Nat Raha

Nightboat Books | October 15, 2024

Written as a series of “niners”—a poetic form consisting of nine nine-syllable lines—Raha’s collection is “a brash and subversive rejoinder to the Anglophone sonnet.”

 

 

 

Cover of Saturday by Margaret Ross featuring white text and a close up black and white photograph of an orange tree.Saturday by Margaret Ross

The Song Cave | October 15, 2024

Ross’s second poetry collection chronicles “a brute education in love and decorum through ceremony starter kits, basement classrooms, and a mission school turned art camp.”

 

 

 

When My Mother is Most Beautiful by Rebecca Suzuki

Hanging Loose Press | October 15, 2024

Suzuki’s collection is “at once a powerful love letter to a mother and to language itself, delving into complex questions of family, communication, culture, and connection.”

 

 

 

Cover of The Next Noise is Our Hearts by Kathleen Willard, featuring an illustration of an elk under a yellow arch standing on top of a wreath of green leaves and yellow flowers intertwined with a topographical map.The Next Noise Is Our Hearts by Kathleen Willard

Middle Creek Publishing & Audio | October 15, 2024

Willard’s poetry collection “evokes an unabashed celebration of the natural world as she shares her love of bees, the northern white rhinoceros, bison, coral reefs, and whales—balanced by her poetic and science-based investigations into many environmental issues.”

 

 

 

Cover of Walking and Stealing by Stephen Cain, featuring a digital illustration of floodlights and an airplane against a gray background. Walking and Stealing by Stephen Cain

Book*hug Press | October 22, 2024

This collection of serial poems “considers urban affairs and culture through playful, revelatory devices.”

 

 

 

Cover of No More Flowers by Stephanie Cawley, featuring yellow cursive text over an orange background with abstract blue and red illustrations resembling woven yarn. No More Flowers by Stephanie Cawley

Birds, LLC | October 22, 2024

The poems in this collection “believe in their ability to affect consequences with language, while being self-aware enough to know how absurd that belief is.”

 

 

 

Cover of Wrong Heaven Again by Ryan Eckes featuring a photograph of a white wrecked car pointing upwards in a field of tall grass with farmland and a gray sky in the background. Wrong Heaven Again by Ryan Eckes

Birds, LLC | October 22, 2024

According to Laura Jaramillo, the poems in this collection “emerge from the deformation of language by landlords, administrators, and politicians who seek to dress up the daily hell into which we’ve been plunged.”

 

 

 

Cover of All We Can Do Is Name Them by Joanne Esser featuring an illustration of three small brown deer walking across a snowy landscape with the night sky above them.All We Can Do Is Name Them by Joanne Esser

Fernwood Press | October 22, 2024

According to Deborah Keenan, this poetry collection is “assured, confident, direct, far-ranging—a book written by a grown-up willing to stare at the years gone by and at the present moment.”

 

 

 

Cover of All the Places We Love Have Been Left in Ruins by Ariel Francisco, featuring an illustration of a man in a purple Hawaiian shirt sitting on a bed with a green squid on his lap and a margarita in his hand, looking upward as everything in the picture liquifies and floats upward against a teal background.All the Places We Love Have Been Left in Ruins by Ariel Francisco

Translated into the Spanish by Francisco Henriquez

Burrow Press | October 22, 2024

In this bilingual collection, Francisco “mourns a Miami already ruined by climate change and development, and meditates on the future ruins of a city reclaimed by the sea.”

 

 

 

Cover of Certain Shelter by Abbie Kiefer featuring an illustration of many yellow, blue, and red cars with their headlights on driving down a street lined with red and black buildings at night. Certain Shelter by Abbie Kiefer

June Road Press | October 22, 2024

Kiefer’s debut poetry collection asks, “What sources of solace and stability remain amid the ruins of industry, after the death of a parent, while raising children in an uncertain time alongside the ghosts of the past?”

 

 

 

Blade by Blade by Danusha Laméris

Copper Canyon Press | October 22, 2024

Laméris’s third book is “a book of hungers: Hunger for the bright glare of poppies, for the hidden name of the beloved, for the cracked continental edge, for all we keep in ‘the heart’s farthest chambers.’”

 

 

 

Cover of Wish Ave by Alessandra Lynch, featuring an illustration of tall brown trees against a sky blue background and a woman standing beside the silhouette of an animal.Wish Ave by Alessandra Lynch

Alice James Books | October 22, 2024

According to Bin Ramke, “The essential dialogic nature of this book … establishes the voices in this head, headlong encounter with the world, answering for our human failure to care properly or enough or in time.”

 

 

 

Cover of Material Witness by Aditi Machado, featuring an orange illustration of a person adorned with geometric jewelry, made up of small hatch marks against a pink background.Material Witness by Aditi Machado

Nightboat Books | October 22, 2024

This collection is “a series of meditative long poems that ritualize perception as a way of maintaining kinship with the non-human world.”

 

 

 

Cover of Inside Every Dream, a Raging Sea by Liz Worth featuring red text over a black and white photograph of a person’s hands holding an animal’s skull. Inside Every Dream, a Raging Sea by Liz Worth

Book*hug Press | October 22, 2024

Inspired by Worth’s professional tarot reading, these poems about ritual, magic, and daily life “explore the thin veil between them and suggest it barely exists at all.”

 

 

 

Cover of Book of Kin by Darius Atefat-Peckham featuring an illustration of a person in an astronaut helmet sitting inside an hourglass filled with stars against a background made up of a written manuscript in another language.Book of Kin by Darius Atefat-Peckham

Autumn House Press | October 25, 2024

This debut poetry collection “follows a boy’s coming of age in the aftermath of a car accident that took the lives of both his mother and brother.”

 

 

 

Cover of An Altar of Tides by Peter Ludwin featuring yellow text over a close up photograph of smooth brown stones embedded in wet sand. An Altar of Tides by Peter Ludwin

Wandering Aengus Press | October 25, 2024

According to Kevin Miller, the poems in this collection “are steeped in the natural beauty of the Northwest, they are intricate and intimate.”

 

 

 

Cover of Lunulae: New & Selected Poems in Translation by Doireann Ní Ghríofa, featuring a black and white illustration of two female religious figures looking upward with a circular hole cut in the middle of the drawing.Lunulae: New & Selected Poems in Translation by Doireann Ní Ghríofa

Translated from the Irish by Doireann Ní Ghríofa

Wake Forest University Press | October 25, 2024

This new edition of the award-winning Irish-language poet’s work “revisits and reworks poems from her previous collection.”

 

 

 

Shine by Joseph Millar

Carnegie Mellon University Press | October 29, 2024

Millar’s sixth collection is “a collection of half songs rendered in a hardscrabble lyricism, propelled by their shifting, irregular rhymes, half rhymes and off rhymes.”

 

 

 

Those Absences Now Closest by Dzvinia Orlowsky

Carnegie Mellon University Press | October 29, 2024

In Those Absences Now Closest, Orlowsky “sets up house among the nightmares of intergenerational trauma and, as far as anyone can, humanizes them.”

 

 

 

Cover of Whitewash by Frances Victory Schenkkan featuring a green-tinted photograph of logs floating on water with trees in the distance. Whitewash by Frances Victory Schenkkan

Belle Point Press | October 29, 2024

This poetry collection “explores the civil rights era and its lingering tensions in Shreveport, Louisiana.”

 

 

 

Blue Yodel by Eleanor Stanford

Carnegie Mellon University Press | October 29, 2024

Stanford’s poems “take the reader from Mexico City to West Philadelphia to Karachi” and “wade into the difficult joys of mothering, self-exploration, and romantic entanglement in midlife.”

 

 

 

Cover of No Credit River by Zoe Whittall featuring blue dripping, cursive text over a red painting of a girl’s face. No Credit River by Zoe Whittall

Book*hug Press | October 29, 2024

According to Ali Blythe, this memoir in prose poetry “is a testament to our queer and artistic communities—profoundly thoughtful, coursing with intelligence.”

 

 

 

Museum of the Soon to Depart by Andy Young

Carnegie Mellon University Press | October 29, 2024

In this collection, Young “navigates her own and others’ suffering through intense observation, from the inner mechanisms of grief and illness to the solace of distance provided by photography.”

 

 

 

Unmoored by Elizabeth BurkCover of Unmoored by Elizabeth Burk, featuring black text and a photograph of a bare tree in a brown marshland against a bright blue sky.

TRP: The University Press of SHSU | November 1, 2024

This poetry collection is “a poetic memoir of a life well-lived and well-examined for all of its eccentricities and triumphs.”

 

 

 

Cover of The Other Altar by Nicholas Gulig, featuring an illustration of multiple brown birds sitting on bare tree branches with pink dots covering their faces, and red, yellow, and green trees in the background. The Other Altar by Nicholas Gulig

The Center for Literary Publishing | November 1, 2024

The speaker of Gulig’s third collection “wanders in a world illumined at every turn by ghosts whose shape and form he hopes to language in a litany of books, one inside the other.”

 

 

 

Cover of The Thankless Paths to Freedom by Medbh McGuckian, featuring black text on a cream background and two slightly curved lines, one orange and one olive green.

The Thankless Paths to Freedom by Medbh McGuckian

Wake Forest University Press | November 1, 2024

The poems in this collection “are preoccupied with imprisonment, from the County Down Maze Prison to the sentencing of revolutionary nationalist Constance Markievicz, as violence mingles with a dreamlike glow.”

 

 

 

Cover of The Last Song of the World by Joseph Fasano, featuring a painting of a young man with his eyes closed wearing a red cloth and laurel wreath bending his head down, touching his face with one hand and holding a harp with the other. The Last Song of the World by Joseph Fasano

BOA Editions | November 5, 2024

The poems in this collection “serve as vignettes of fatherhood, love, and desire against the backdrop of apocalyptic events.”

 

 

 

Cover of The Devil Orders a Latte by Katrin Talbot, featuring a blurred black and white photograph of two women wearing long black coats, one facing forward and looking towards the other, who is standing in profile.

The Devil Orders a Latte by Katrin Talbot

Fernwood Press | November 5, 2024

According to David Southward, this poetry collection “captures the ephemeral feelings of connectedness we all have but seldom manage to put into words.”

 

 

 

Disfluency by Joseph Donahue

Dos Madres Press | November 6, 2024

Gathering poems written over 50 years, this collection “is a brightly shattered bildungsroman, a portrait of the artist told in excavated images and recovered turns of thought.”

 

 

 

Cover of The Poems from On the Consolation of Philosophy by Boethius, featuring cut up fragments of cream colored text on a dark green background spliced together. The Poems from On the Consolation of Philosophy by Boethius

Translated from the Latin by Peter Glassgold

World Poetry | November 7, 2024

According to Eugene Ostashevsky, Glassgold’s “translingual renderings of the Latin poetry from the book refashion the originals and their English rephrasings into a composition of ‘lower limit speech, upper limit music,’ letting the reader overhear, in snatches, how Boethius was received over the ages.”

 

 

 

 Cover of So Much More by Darren C. Demaree, featuring a painting of a peach figure on its back mid-air above a black trampoline on a background with pink, white, and light green brushstrokes.

So Much More by Darren C. Demaree

Small Harbor Publishing | November 7, 2024

According to Dustin Pearson, the speaker in this poetry collection “is a husband, father, Ohioan, and a self-deprecating, ambivalent, and sometimes resigned American man whose spirit burns in the shadow of something revolutionary.”

 

 

 

Cover of Day Lasts Forever by Mario dell'Arco, featuring a painting of a black-and white potted cactus on a background made up of various shades of pink. Day Lasts Forever by Mario dell’Arco

Translated from the Romanesco by Marc Alan Di Martino

World Poetry | November 12, 2024

According to A. M. Juster, dell’Arco’s poems “bring alive daily life in Rome in a unique colloquial voice that often feels like a blend of Martial’s humor, Giuseppe Belli’s grittiness, and the surrealists of the era.”

 

 

 

Cover of Zombie Vomit Mad Libs by Duy Đoàn, featuring a sculpture made up of a statue of a person hunched over attached to a wooden chair, a wire attaching the statue’s foot to an outlet, and a long beige rug with a foot attached to it.

Zombie Vomit Mad Libs by Duy Đoàn

Alice James Books | November 12, 2024

According to Tamiko Beyer, “these poems exist on the razor-thin edge that divide the states of waking and sleep, of being high and sober, of living and not living.”

 

 

 

In Inheritance of Drowning by Dorsía Smith Silva

CavanKerry Press | November 13, 2024

Smith Silva’s debut collection “confronts the ‘drowning’ of BIPOC communities as they are displaced, exploited, and robbed of their identities and witnesses their resistance and resilience.”

 

 

 

Cover of Book of Exercises II by George Seferis, featuring an abstract illustration of blue-gray shapes surrounding a white rectangle that has black shapes on its border. Book of Exercises II by George Seferis

Translated from the Greek by Jennifer R. Kellogg

World Poetry | November 14, 2024

Book of Exercises II is the first English translation of Seferis’s “lesser-known political, satiric, and erotic poetry as well as previously unseen material from his diaries.”

 

 

 

Cover of The Glass Clouding by Masaoka Shiki, featuring a gray background with small black geometric shapes scattered across it.

The Glass Clouding by Masaoka Shiki

Translated from the Japanese by Abby Ryder-Huth

Ugly Duckling Presse | November 14, 2024

This poetry collection “wrestles with the limits of translation, using experimental forms, image, parallel texts, and prose to question what translation can and cannot make visible.”

 

 

 

Cover of Notes of the Phantom Woman by Iana Boukova, featuring black line art of thin branches on a green background.

Notes of the Phantom Woman by Iana Boukova

Translated from the Greek and Bulgarian by Ekaterina Petrova and John O’Kane

Ugly Duckling Presse | November 15, 2024

The poems in this collection “are connected by a rigorous inquiry into the illusions of thinking, the blind spots of utopianism, and the trouble with moral positioning.”

 

 

 

Cover of Heavy Metal Nursing by Scott Frey, featuring a photograph of a pink stethoscope on a white background. Heavy Metal Nursing by Scott Frey

University of Tampa Press | November 15, 2024

Frey’s debut collection “plumbs the depths of unthinkable loss in poems that are as formally agile as they are unflinching: prose poems and slant-rhymed pantoums alongside odes to nurses and therapists, a poem-as-instruction-manual for a deep suction machine.”

 

 

 

Cover of A Woman Looks Over Her Shoulder by Brynja Hjálmsdóttir, featuring a circle of overlapping red spikes surrounding a black center. A Woman Looks Over Her Shoulder by Brynja Hjálmsdóttir

Translated from the Icelandic by Rachel Britton

Circumference Books | November 15, 2024

These poems explore “what it can be like to be a woman and to slither through and away from threat to find voice and form and power, no matter how strange.”

 

 

 

Cover of Black Box Named Like to Me by Diana Garza Islas, featuring a pattern of black ink-blotted arches on a yellow background.

Black Box Named Like to Me by Diana Garza Islas

Translated from the Spanish by Cal Paule

Ugly Duckling Presse | November 15, 2024

This debut poetry collection “challenges the limits of syntax and image to hold the full scope of the imaginary in its grasp, touching on questions of motherhood, the future, memory, and the acquisition of language.”

 

 

 

Cover of ​​Mongrel Kampung by Mikael Johani, featuring orange block text and four yellow painted rectangles.

Mongrel Kampung by Mikael Johani

Ugly Duckling Presse | November 15, 2024

The poems in this collection are “translingual mini-tomes—tirades, historiographic treatises, love letters, protest songs, errant tweet threads.”

 

 

 

The Redesignation of Paradise by Denise Newman

Kelsey Street Press | November 15, 2024

According to Norma Cole, in this collection Newman asks, “What is paradise and what is our relationship to it? Where is the eros of living beings in the scent map of our awareness practice?”

 

 

 

Cover of Love Prodigal by Traci Brimhall, featuring an illustration of an orange sun with yellow light and thin red lines radiating from it.

Love Prodigal by Traci Brimhall

Copper Canyon Press | November 19, 2024

According to Barbara Hoffert, this poetry collection “addresses life’s everyday suffering in astonishing language that will attract a wide range of readers.”

 

 

 

Cover of Fires Seen From Space by Betsy Fagin, featuring an illustration of smoke rising from the horizon in white on a salmon pink background.Fires Seen from Space by Betsy Fagin

Winter Editions | November 19, 2024

The poems in Fagin’s third collection “celebrate moments of simplicity and ease while facing catastrophic change, weaving deep relational webs to bind isolated efforts of resistance.”

 

 

 

Cover of The Everyday Life of Design by Alan Gilbert, featuring a light orange illustration of three giant rectangular cubes standing on a street like buildings.The Everyday Life of Design by Alan Gilbert

Winter Editions | November 19, 2024

The second edition of Gilbert’s “sprawling epic poem is a document of these broken times, with a glint of hope for a better tomorrow.”

 

 

 

Cover of Wayfarers by Jane Medved, featuring a photograph of a woman from the neck down with red hair wearing a green dress holding a large brown suitcase.Wayfarers by Jane Medved

Grid Books | November 26, 2024

Medved’s poetry collection is part memoir, part spiritual exploration and “tells of the struggle to process loss without any physical anchor.”

 

 

 

Cover of If I Gather Here and Shout by Funto Omojola, featuring a faded blue hand-sketched map of a town on a red background. If I Gather Here and Shout by Funto Omojola

Nightboat Books | November 26, 2024

Omojola’s poetry collection “illuminate the tensions between legibility and meaning-making that emerge when an ill Black body is processed through a Western medical context.”

 

 

 

Forests, Temples, Glacial Rivers by Andrew Schelling

Empty Bowl Press | December 1, 2024

Schelling’s newest collection offers “poems ‘found’ among the canyons and buttes of the Southwest, a paean to the Sanskrit dictionary, odes and elegies to deceased poets, and a series of love songs ‘to the tune of a ballad.'”

 

 

 

Psychic Party Under the Bottle Tree by Jennifer Martelli

Lily Poetry Review Books | December 2, 2024

According to January Gill O’Neil, this poetry collection “delves deep into the human psyche, exploring themes of desire, self-destruction, and the complexities of human existence.”

 

 

 

House of Jars by Hester L. Furey

Frayed Edge Press | December 3, 2024

According to Steve Davenport, “madness, both as crisis and as passage, is the cycle’s primary theme, which Furey handles masterfully via multiple characters.”

 

 

 

Mountains of the Moon by Irene Blair Honeycutt

Charlotte Center for Literary Arts | December 3, 2024

In this poetry collection, Honeycutt “takes readers on a journey from creeks of childhood through rivers and inlets all the way to the Red Sea and back again.”

 

 

 

Post-Volcanic Folk Tales by Mackenzie Polonyi

Akashic Books | December 3, 2024

In this poetry collection, Mackenzie “necessarily explores prescribed responsibilities of diasporic only daughterhood.”

 

 

 

Between the Joints & the Marrow by Garrett Soucy

Fernwood Press | December 3, 2024

According to Peter Leithart, Soucy’s “densely allusive, rugged poems surprise with twists on biblical themes, vivid moments of prayer and praise, sharp and shocking images.”

 

 

 

Blanket of the Night by Carl Little

Deerbrook Editions | December 4, 2024

According to Megan Grumbling, this poetry collection “bestows tender attention to myriad little miracles of daily life, nature, art, and community.”

 

 

 

Bodies of Light by Susan Tekulve

Serving House Books | December 4, 2024

According to Denise Duhamel, Tekulve’s collection “honors the bodies of her beloved dead and the magic of her garden” in elegies and odes.

 

 

 

Sledding the Valley of the Shadow by Laura Foley

Fernwood Press | December 10, 2024

This poetry collection embraces “the acceptance of the imperfect as the perfect lesson, as welcome or necessary steps to wisdom, slipping and sliding a flash-lit, joyful, snowy way to an abiding gratitude.”

 

 

 

gulp by Devon Fulford

Red Ogre Review | December 13, 2024

According to Katie Beswick, Fulford’s poetry “feels the way memories of adolescence feel—that same nostalgic intensity most of us still carry, a kernel of our adult selves wrought in the fire of 90s teenage culture.”

 

 

 

Seer by Indran Amirthanayagam

Hanging Loose Press | December 15, 2024

Amirthanayagam’s newest collection is “multi-lingual, multi- coastal, multi-dimensional poetic record of a time in our collective history when our potential human demise loomed large.”

 

 

 

The Grimace of Eden, Now by Cody-Rose Clevidence

Fonograf Editions | December 17, 2024

This poetry collection “wanders through spacetime carrying irreverent theologies and exploring what it could mean to be living, sensate, and awake in this weird moment in time, exposing a mixture half of awe and half of madness.”

 

 

 

Purification in Queens by Kristalyn Gill

Fernwood Press | December 17, 2024

This collection of poetry “embodies Gill’s mission to reclaim the evangelical lexicon and introduce this vocabulary back into present-day vernacular.”

 

 

 

Many Poems by Roberta Iannamico

Translated from the Spanish by Alexis Almeida

The Song Cave | December 17, 2024

In Iannamico’s first full-length poetry collection to be published in English, “objects acquire voices, seasons move simultaneously across rural landscapes, and a mother and daughter share a unique vision of the past and present.”

 

 

 

Well You Needn’t by Joel Lewis

Hanging Loose Press | December 20, 2024

Lewis’s seventh collection “gathers his poems about the music that has occupied him since his teenage years.”

 

 

 

Diary of a False Assassin by Anne Leigh Parrish

Unsolicited Press | December 21, 2024

The poems in Parrish’s third collection “reveal the miracles of nature, the enslavement of women, and the pain of family life.”

 

 

 

Rome | Pedestrians Beware by Rafael Alberti

Translated from the Spanish by Anthony Geist & Giuseppe Leporace

Swan Isle Press | December 30, 2024

In Alberti’s collection set in Rome, “the blending of classical tradition with post-modern echoes the darkness and luminosity that exist within the poems, tinged with longing, nostalgia, love, as well as hope.”